tor Rodriguez Gaspard to form a Cabinet. Rodriguez acquiesced:

Premier, Home Affairs: Rodriguez Gaspard.
Justice: Catano Menezes.

Finance: Daniel Rodriguez.

War: General Vierira Da Rocha.

Navy: Captain Perecia Silva.

Foreign Affairs: Victorino Godinho.

Commerce: Colonel Pires Monteiro.

Colonies: Bulhao Pato.

Education: Abranches Ferrao.
Labor: Xavier Da Silva.

Agriculture: Viscount Pedralva.

SPAIN

New Regime

Following faithfully Italian Fascism, Dictator Primo de Rivera, who seized power last Fall,* ousted the politicians and set up a military directorate to rule Spain with the mailed fist (TIME, Sept. 24), last week requested King Alfonso to sign a decree demilitarizing the Directorate, modifying the dictatorial powers of himself, making the Ministers once more responsible to the Crown.

Members of the Directorate were assigned new jobs; all took an oath of allegiance to the King. Primo, while remaining head of the Cabinet, became Minister of Cults and Justice.

The King also signed a decree granting amnesty to those sentenced on account of the Moroccan disaster of 1921, those convicted for political offenses and persons imprisoned for newspaper libel.

Paul Thompson

RAFAEL MERRY DEL VAL His brother greeted a Queen

Economic Pulse

Alexis Ivanovitch Rykov, who bears the titles of President of the Union Council of People's Commissaries and Chairman of the Russian Socialist Federal Soviet Republic Cabinet, asseverated that Russia's economic pulse was strong and steady, which, he claimed, was certain indication of Russia's ultimate recovery.

In a detailed speech before the International Communist Congress, sitting since last month in Moscow (TIME, the June 30), President-Chairman

made the following points:

Present production total is now 45% of the pre-War figure-an increase from 15% in 1920; production of pig iron has increased from 7,000,000 pounds in 1921 to 35,000,000 in 1923-4; oil production leaves a large surplus for export; coal production is entirely satisfactory; stabilization of the ruble has tremendously improved the financial situation and Russia now has a foreign trade balance of 100,000,000 rubles ($11,500,000); unemployment is least satisfactory and figures quoted show substantial increases in each case; agricultural lands now cultivated are between 85 and 90% of the pre-War figure.

Said Alexis aristocratically: "If the terms suit us, we give concessions; if they don't, we don't. We now scruti

nize the suitability of the terms much

more severely than before. Our demands are higher."

Perhaps more than any man in Russia, Alexis Ivanovitch Rykov is the mainstay of the Bolshevik régime. When Lenin was alive, Rykov was always a great power. Lenin supplied the dynamic energy, the eloquence, the courage to say: "This thing must be done." Rykov, engineer and economist, wielded a static power, the patience and knowledge which enabled him to say: "This is the way it can be done."

Rykov's position in Russia approximates that of Calvin Coolidge in the U. S. He is to a large extent the Chief Executive of Soviet Russia. The fact that little is ever heard of him is merely a silent indication of his character. He works quietly, despises the methods and noise of the demagogue, is exceedingly simple and direct in all his movements. "He is the kind of man who, however violently one may disagree with him, does not stir personal animosity. He never ridicules, never denounces, never even flares up. He seems as incapable of deep hate as of deep love and is in turn neither loved nor hated as Trotzky is. . . . He never loses his head nor gets in a fit of panic, never fools himself by magnifying irritating details into devastating evils, nor by dismissing serious difficulties as trifles, like so many of his colleagues. Passion has no place in his thinking. Orthodox and insurgent will listen to him with respect and attention because he always has something of value to impart to both."

When Lenin was banished from Russia and became the leader of the Majority wing of the Social Democratic Labor Party (now known as the Bolsheviki), Rykov braved the dangers of Tsarist Russia by acting as his friend's counterpart and personal representative within the country, where he managed to avoid arrest for some time with consummate skill. In his capacity as Lenin's right-hand man and trusted advisor he was able to do much to bring on the Revolution by fostering the radical spirit of the Party which was then being persecuted by the Tsar's secret police. He was able to act as Lenin's liaison officer in Russia and to keep him accurately informed on the course of events.

When the 1917 Revolution broke out Rykov was in prison in Siberia. Released by general amnesty in that year, he returned to Moscow and was immediately elected to the Presidium of the Moscow Soviet, an opponent of the Kerensky régime.

When Kerensky was overthrown, Rykov and his time-proved friend

Houghton Mifflin-Two volumes ($5.00 each). These two books are part of the world history now being written by eminent experts, prepared by Major General Lord Edward Gleichen, edited by John Buchan.

Book I of Britain's history contains a short chapter on "an outline of British History to 1914"; the remainder is devoted to a study of the War and of conditions in the circum-bellum periods.

Book II deals with the Government of the United Kingdom, defense, economics, finance, the Labor movement, the Channel Islands and the Isle of Man.

The first volume is little more than a history of British conduct of the War, and it is difficult to condone the extremely sketchy piece of writing which covers more than a thousand years of history. The account of the War is ably presented and is interesting from first to last.

It is in the second volume, however, that praise is really merited. Within its 261 pages lies a wealth of enlightening information concerning present conditions in Britain. The chapter entitled The Story of British Economic Development and that on the Labor Movement are brilliant pieces of analysis forming a reliable and vivid background to the understanding of the economic and political problems with which contemporary Britons are struggling.

BLACK MAGIC-Kenneth L. RobertsBobbs-Merrill ($3.00).

Black Magic is the story of Italy before and during the reign of Fascismo. It is a tale of the achievements of the black-shirted Italian legions who saved their country from Bolshevism, not of the occult and nigrescent rite of invoking devils.

It is also a story of the Bavarian Fascisti (Beer-Fascisti, as Mr. Roberts calls them) followed by two chapters of pertinent and impertinent reflections on American politics.

Mr. Roberts is a Bolshevikophobe. That is to say, he hates Bolshevism, which is not surprising. He likes the clean-cut, anti-bureaucratic efficiency of Fascismo. The prejudices are based not upon concrete reasoning but upon temperamental predilections. The sober, nude, crude truth is that a partisan book cannot maintain itself on nebulous foundations of sentiment. Because the author has tried to do this, his book has fallen short of being first-class.

*For the best study of the War read John Buchan's History of the Great War, four volumes, $20.00 for the set. Houghton Mifflin,

Less Skylarking

The Juilliard Foundation has always been generous. For a number of years it has granted foreign fellowships to advanced students of Music who have shown decided promise. The Juilliard fellows journeyed gaily to Paris, Rome, Berlin, Vienna, inhaled the artistic atmosphere, drenched themselves in strong aesthetic traditions, acquired a priceless joie de vivre. Also, there was champagne, liqueurs and sometimes instruction at the feet of a foreign Maestro.

But this is to be changed in October. Certain objections have been lodged at the Juilliard headquarters. There have been rumors of skylarking, of the "waving of wild legs" in naughty European centres, of an inadequately intense devotion to purely artistic education. The Foundation has therefore decided to mingle stern wisdom with its generosity in the future. American control, on the spot, is to be substituted for American beneficiaries' sippings of la vie de Bohème.

All this is indicated in the release of an important statement by Dr. Eugene A. Noble, Juilliard Secretary. According to his pronunciamento, fellowships will be offered as usual (100 of them) to those graduates of music schools and of the music departments of colleges and universities, who give the greatest evidence of brilliance in competitive examinations to be held in October. But "no beneficiaries will be granted money to study abroad under this plan." Instead, the Foundation will employ teachers, operate its own studios and give daily direction to its fellowship-holders. Dr. Noble himself will keep check on their daily work and progress. Students who are at present sojourning in Europe have already been notified that the support they now enjoy from the Foundation is to be withdrawn. Their holiday is over.

In order to make this plan workable, the Foundation has acquired a large stone-front building on East 52nd St., Manhattan, between fashionable Madison Ave. and exclusive Park Ave. Advanced musical education-supervised— is to be the slogan of the organization. It aims to be, in time, a novel variety of National conservatory of music: one which gives no stated courses and grants no degrees, but one in which those who really deserve advanced instruction in composition, voice-culture, wind-instrument and piano playing will be given the benefit of a rigorous Winter's training. Instructors and students alike will be constantly under observation, no matter how renowned the former or how gifted the latter.

The world of singers is finding as many "new Adelina Pattis" as the world of the pianoforte has discovered "Liszt pupils." Galli-Curci and Tetrazzini are shortly to be supplanted by a whole series of wearers of the great diva's mantle. They are announced from Italy, England, Russia.

No sooner was the boom for Toti dal Monte started, and her American triumph staged for this Winter, than news sifted through the fog of London that Dusolina Gianinni had already staked out an undisputable claim as legitimate successor to Patti. Still more recently there drifts over from Moscow, via the Wolfsohn Musical Bureau, the report that Maria Kurenko, ex-criminal-law-student, will put all comers out of the running when she arrives in the U. S. in November. She has paved her way with reports of unbridled enthusiasms evoked by her appearances in Kharkoff, Moscow, Riga, Helsingfors, Paris. Her birthplace is Tomsk, Siberia.

"Highest Achievement"

Every year a committee, consisting of a churchman (Bishop John Hurst), a writer (Dorothy Canfield Fisher), a politician Theodore Roosevelt), a financier (James H. Dillard), an educator (John Hope, President of Morehouse College), and an editor (W. E. DuBois of The Crisis), awards a prize to "an American of African descent who has performed the highest achievement in some form of human endeavor." This prize is known as the Spingarn medal.

There is no musician on the committee of award. Nevertheless this year's recipient of the decoration is a musician. He is Roland Hayes, Negro singer (TIME, Oct. 8), who has already garnered an amazing harvest of similar trinkets from foreign royal and notable personages and societies. His passionate rendition of his people's deeply felt "spirituals" has endeared him to Boston and Philadelphia symphony subscribers as well as to titled connoisseurs. He is now on concert tour in Europe.

New Plays

Scandals. George White has clapped together the best revue since he initiated his series to relieve visiting buyers and firemen of the Summer doldrums. More, he has presented one of the best revues of a season that has not been without its highwater mark in this aspect of our civilization.

The new musical show has been staged with the requisite regard for pace and variety, gives no opportunity for a yawn to get started. Thus, the Williams Sisters perkily berate the audience in a chanted number for being late and missing the opening chorus-which does not exist. Then comes a series of skits wherein the mortifying consequences of being tardy are revealed, generally with a sly double entendre sneaking in.

The production has more than its fair share of novelties, chief of which is a deceptive lighting effect which changes girls in varicolored bathingsuits into marble statues in a wink. It also, by a painless amputation, obligingly transforms a damsel into the armless Venus de Milo.

The imported Paris costumes are in admirable taste and profusion, but Mr. White does not hesitate to strike at the eyes of a revue audience with the luxury of sheer simplicity. One

of his most satisfying scenes is attained by the use of nothing more sensational than a huge bank of flowered parasols. And the chorus whom these trappings adorn are the comeliest that have stretched the necks of metropolitan audiences this year. Each one would be the ace of any ordinary revue ensemble. White has again wisely limited his coryphees to intoning their lyrics clearly rather than blurring their point in the yelp of the usual song. Therefore the

chorus scores one of the spontaneous hits of the performance by boldly asserting its reasons for not being one of the ubiquitous troupes of Tiller girls.

There are fewer dancing solos than usual, and the ordinarily elastic Lester Allen and Tom Patricola have to restrict the natural exuberance of their limbs to a few hoof thumpings. But in that way no one is ever on the stage long enough to wear a crease in the audience's patience. The show

has two fine singers in Richard Talbot and Helen Hudson, the latter

showing one of the sweetest voices this side of grand opera.

White again shows a regrettable tendency to lapse into invective against blue-law reformers (now somewhat of a dead issue). Perhaps this inverted tendency to preach is a consequence of the juvenile spiciness in some of his skits. But these

GEORGE WHITE

"No opportunity for a yawn"

are galloped through at such speed that the offhand presentation of "low taste" can hardly give offense.

The sketches themselves at times are rather forced to beat a dishpan to excite humor. But Winnie Lightner, abetted by the insouciant Will Mahoney and the boisterous Patricola, carries them along by dint of magnetic personality, sometimes called high animal spirits. And the revue contains two of the best travesties on darky melodies ever perpetrated.

Mud. Only the waning season can account for the descent upon the stage of a comedy like this. It represents the efforts of various groups to gain possession of a farm which contains a beauty clay and therefore becomes, for the purposes of farce, as precious as the Ruhr valley. The authoress, Katherine Browning Miller, manages to hammer out a witticism now and then by virtue of trying.

The Best Plays

These are the plays which, in the light of metropolitan criticism, seem most important:

Drama

COBRA-Sloughing off the scales of sex, with very little hint of reptilian slime.

HER WAY OUT-A fairly absorbing picture of the seamy lining to the royal purple of Washington politics, with a touch of bawdy house atmosphere that does not offend the eyes with its red light.

THE WONDERFUL VISIT-Wells' and Ervine's stimulating play, wherein an angel holds the mirror up to human nature-and finds it cracked.

Comedy

EXPRESSING WILLIE-A deft satire of the business man who mistakes Spring fever for a yearning after soulfulness. THE SHOW-OFF-A pungent comedy of human striving to impress, that is almost pathetic in its revelation of the insect-like futility of mankind.

BEGGAR ON HORSEBACK-A blazing satire on the Babbitt family, that yet extorts laughter from such successful morons themselves.

MEET THE WIFE-Last week of this comedy. A woman having her way over the embattled wills of two husbands.

Musical

High notes in the present musical comedy score are sustained most successfully by Charlot's Revue, I'll Say She Is, Kid Boots, Ziegfeld Follies, George White's Scandals.

TIME, The Weekly News-Magazine. Editors-Briton Hadden and Henry R. Luce. As sociates-Manfred Gottfried (National Affairs, The Press). John S. Martin, Thomas J. C. Martyn (Foreign News). Weekly Contributors-Ernest Brennecke, John Farrar, Kenneth M. Gould, Willard T. Ingalls, Deborah Doug. las, Alexander Klemin, Pike, Agnes Frank Vreeland, Peter Mathews. Published by TIME, Inc., H. R. Luce, Pres.; J. S. Martin, Vice-Pres.; B. Hadden, Sec'yTreas., 236 E. 39th St., New York City. Subscription rate, per year, postpaid: In the United States and Mexico, $5.00; in Canada, $5.50; elsewhere, $6.00. For advertising rates address: Robert L. Johnson, Advertising Manager, TIME, 236 E. 39th St., New York: New England representatives, Sweeney & Price, 127 Federal St., Boston, Mass.; Western representatives, Powers & Stone, 38 S. Dearborn St., Chicago, Ill.; Circulation Manager, Roy E. Larsen. Vol. IV, No. 2.

Houghton Mifflin-Two volumes ($5.00 each). These two books are part of the world history now being written by eminent experts, prepared by Major General Lord Edward Gleichen, edited by John Buchan.

Book I of Britain's history contains a short chapter on "an outline of British History to 1914"; the remainder is devoted to a study of the War and of conditions in the circum-bellum periods.

Book II deals with the Government of the United Kingdom, defense, economics, finance, the Labor movement, the Channel Islands and the Isle of Man.

The first volume is little more than a history of British conduct of the War, and it is difficult to condone the extremely sketchy piece of writing which covers more than a thousand years of history. The account of the War is ably presented and is interesting from first to last.

It is in the second volume, however, that praise is really merited. Within its 261 pages lies a wealth of enlightening information concerning present conditions in Britain. The chapter entitled The Story of British Economic Development and that on the Labor Movement are brilliant pieces of analysis forming a reliable and vivid background to the understanding of the economic and political problems with which contemporary Britons are struggling.

BLACK MAGIC-Kenneth L. RobertsBobbs-Merrill ($3.00).

Black Magic is the story of Italy before and during the reign of Fascismo. It is a tale of the achievements of the black-shirted Italian legions who saved their country from Bolshevism, not of the occult and nigrescent rite of invoking devils.

It is also a story of the Bavarian Fascisti (Beer-Fascisti, as Mr. Roberts calls them) followed by two chapters of pertinent and impertinent reflections on American politics.

Mr. Roberts is a Bolshevikophobe. That is to say, he hates Bolshevism, which is not surprising. He likes the clean-cut, anti-bureaucratic efficiency of Fascismo. The prejudices are based not upon concrete reasoning but upon temperamental predilections. The sober, nude, crude truth is that a partisan book cannot maintain itself on nebulous foundations of sentiment. Because the author has tried to do this, his book has fallen short of being first-class.

*For the best study of the War read John Buchan's History of the Great War, four volumes, $20.00 for the set. Houghton Mifflin.

Less Skylarking

The Juilliard Foundation has always been generous. For a number of years it has granted foreign fellowships to advanced students of Music who have shown decided promise. The Juilliard fellows journeyed gaily to Paris, Rome, Berlin, Vienna, inhaled the artistic atmosphere, drenched themselves in strong aesthetic traditions, acquired a priceless joie de vivre. Also, there was champagne, liqueurs and sometimes instruction at the feet of a foreign Maestro.

But this is to be changed in October. Certain objections have been lodged at the Juilliard headquarters. There have been rumors of skylarking, of the "waving of wild legs" in naughty European centres, of an inadequately intense devotion to purely artistic education. The Foundation has therefore decided to mingle stern wisdom with its generosity in the future. American control, on the spot, is to be substituted for American beneficiaries' sippings of la vie de Bohème.

All this is indicated in the release of an important statement by Dr. Eugene AcA. Noble, Juilliard Secretary. cording to his pronunciamento, fellowships will be offered as usual (100 of them) to those graduates of music schools and of the music departments of colleges and universities, who give the greatest evidence of brilliance in competitive examinations to be held in October. But "no beneficiaries will be granted money to study abroad under this plan." Instead, the Foundation will employ teachers, operate its own studios and give daily direction to its fellowship-holders. Dr. Noble himself will keep check on their daily work and progress. Students who are at present sojourning in Europe have already been notified that the support they now enjoy from the Foundation is to be withdrawn. Their holiday is over.

In order to make this plan workable, the Foundation has acquired a large stone-front building on East 52nd St., Manhattan, between fashionable Madison Ave. and exclusive Park Ave. Advanced musical education-supervised— is to be the slogan of the organization. It aims to be, in time, a novel variety of National conservatory of music: one which gives no stated courses and grants no degrees, but one in which those who really deserve advanced instruction in composition, voice-culture, wind-instrument and piano playing will be given the benefit of a rigorous Winter's training. Instructors and students alike will be constantly under observation, no matter how renowned the former or how gifted the latter.

the

The world of singers is finding as many "new Adelina Pattis" as world of the pianoforte has discovered "Liszt pupils.” Galli-Curci and Tetrazzini are shortly to be supplanted by a whole series of wearers of the great diva's mantle. They are announced from Italy, England, Russia.

No sooner was the boom for Toti dal Monte started, and her American triumph staged for this Winter, than news sifted through the fog of London that Dusolina Gianinni had already staked out an undisputable claim as legitimate successor to Patti. Still more recently there drifts over from Moscow, via the Wolfsohn Musical Bureau, the report that Maria Kurenko, ex-criminal-law-student, will put all comers out of the running when she arrives in the U. S. in November. She has paved her way with reports of unbridled enthusiasms evoked by her appearances in Kharkoff, Moscow, Riga, Helsingfors, Paris. Her birthplace is Tomsk, Siberia.

"Highest Achievement"

Every year a committee, consisting of a churchman (Bishop John Hurst), a writer (Dorothy Canfield Fisher), a politician Theodore Roosevelt), a financier (James H. Dillard), an educator (John Hope, President of Morehouse College), and an editor (W. E. DuBois of The Crisis), awards a prize to "an American of African descent who has performed the highest achievement in some form of human endeavor." This prize is known as the Spingarn medal.

There is no musician on the committee of award. Nevertheless this year's recipient of the decoration is a musician. He is Roland Hayes, Negro singer (TIME, Oct. 8), who has already garnered an amazing harvest of similar trinkets from foreign royal and notable personages and societies. His passionate rendition of his people's deeply felt "spirituals" has endeared him to Boston and Philadel phia symphony subscribers as well as to titled connoisseurs. He is now on concert tour in Europe.

New Plays

Scandals. George White has clapped together the best revue since he initiated his series to relieve visiting buyers and firemen of the Summer doldrums. More, he has presented one of the best revues of a season that has not been without its highwater mark in this aspect of our civilization.

The new musical show has been staged with the requisite regard for pace and variety, gives no opportunity for a yawn to get started. Thus, the Williams Sisters perkily berate the audience in a chanted number for being late and missing the opening chorus-which does not exist. Then comes a series of skits wherein the mortifying consequences of being tardy are revealed, generally with a sly double entendre sneaking in.

The production has more than its fair share of novelties, chief of which is a deceptive lighting effect which changes girls in varicolored bathingsuits into marble statues in a wink. It also, by a painless amputation, obligingly transforms a damsel into the armless Venus de Milo.

The imported Paris costumes are in admirable taste and profusion, but Mr. White does not hesitate to strike at the eyes of a revue audience with the luxury of sheer simplicity. One of his most satisfying scenes is attained by the use of nothing more sensational than a huge bank of flowered parasols. And the chorus whom these trappings adorn are the comeliest that have stretched the necks of metropolitan audiences this year. Each one would be the ace of any ordinary revue ensemble. White has again wisely limited his coryphees to intoning their lyrics clearly rather than blurring their point in the yelp of the usual song. Therefore the

chorus scores one of the spontaneous hits of the performance by boldly asserting its reasons for not being one of the ubiquitous troupes of Tiller girls.

There are fewer dancing solos than usual, and the ordinarily elastic Lester Allen and Tom Patricola have to restrict the natural exuberance of their limbs to a few hoof thumpings. But in that way no one is ever on the stage long enough to wear a crease in the audience's patience. The show has two fine singers in Richard Talbot and Helen Hudson, the latter

showing one of the sweetest voices this side of grand opera.

White again shows a regrettable tendency to lapse into invective against blue-law reformers (now somewhat of a dead issue). Perhaps this inverted tendency to preach is a consequence of the juvenile spiciness in some of his skits. But these

GEORGE WHITE

"No opportunity for a yawn"

are galloped through at such speed that the offhand presentation of "low taste" can hardly give offense.

The sketches themselves at times are rather forced to beat a dishpan to excite humor. But Winnie Lightner, abetted by the insouciant Will Mahoney and the boisterous Patricola, carries them along by dint of magnetic personality, sometimes called high animal spirits. And the revue contains two of the best travesties on darky melodies ever perpetrated.

Mud. Only the waning season can account for the descent upon the stage of a comedy like this. It represents the efforts of various groups to gain possession of a farm which contains a beauty clay and therefore becomes, for the purposes of farce, as precious as the Ruhr valley. The authoress, Katherine Browning Miller, manages hammer out a witticism now and then by virtue of trying.

The Best Plays

These are the plays which, in the light of metropolitan criticism, seem most important:

Drama

COBRA-Sloughing off the scales of sex, with very little hint of reptilian slime.

HER WAY OUT-A fairly absorbing picture of the seamy lining to the royal purple of Washington politics, with a touch of bawdy house atmosphere that does not offend the eyes with its red light.

THE WONDERFUL VISIT-Wells' and Ervine's stimulating play, wherein an angel holds the mirror up to human nature and finds it cracked.

Comedy

EXPRESSING WILLIE-A deft satire of the business man who mistakes Spring fever for a yearning after soulfulness. THE SHOW-OFF-A pungent comedy of human striving to impress, that is almost pathetic in its revelation of the insect-like futility of mankind.

BEGGAR ON HORSEBACK-A blazing satire on the Babbitt family, that yet extorts laughter from such successful morons themselves.

MEET THE WIFE-Last week of this comedy. A woman having her way over the embattled wills of two husbands.

Musical

High notes in the present musical comedy score are sustained most successfully by Charlot's Revue, I'll Say She Is, Kid Boots, Ziegfeld Follies, George White's Scandals.

TIME, The Weekly News-Magazine. Editors-Briton Hadden and Henry R. Luce. As. sociates-Manfred Gottfried (National Affairs, The Press). John S. Martin, Thomas J. C. Martyn (Foreign News). Weekly Contributors-Ernest Brennecke, John Farrar, Kenneth M. Gould, Willard T. Ingalls, Deborah Douglas, Alexander Klemin, Agnes Pike, Frank Vreeland, Peter Mathews. Published by TIME, Inc., H. R. Luce, Pres.; J. S. Martin, Vice-Pres.; B. Hadden, Sec'yTreas., 236 E. 39th St., New York City. Subscription rate, per year, postpaid: In the United States and Mexico, $5.00; in Canada, $5.50; elsewhere, $6.00. For advertising rates address: Robert L. Johnson, Advertising Manager, TIME, 236 E. 39th St., New York: New England representatives, Sweeney & Price, 127 Federal St., Boston, Mass.; Western representatives, Powers & Stone, 38 S. Dearborn St., Chicago, Ill.; Circulation Manager, Roy E. Larsen. Vol. IV. No. 2.