The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Charlotte Otten , on the other hand , in “ Who Am I ? A ReInvestigation of Arthur Miller's Death of a Salesman , ” Cresset 26 ( February 1963 ) : 11-13 , views Death of a Salesman as close to Oedipus Rex because both plays explore ...
a A. Martin , ed . , Arthur Miller : New Perspectives ( Englewood Cliffs : PrenticeHall , 1982 ) ; Helene Wickham Koon , ed . , Twentieth Century Interpretations of Death of a Salesman , ( Englewood Cliffs : Prentice - Hall , 1983 ) ...
Arthur Miller's Death of a Salesman is a possible exception . Certainly no other contemporary American play fits better the tragic mold : certainly no other American tragedy is so American . It is in fact the supreme American tragedy .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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