The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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If Keller's son had not wanted to marry the convicted man's daughter and they had been childhood friends ; it was that ... The elements of theatrical contrivance in Ibsen's plays of this kind , and in All My Sons , are now sufficiently ...
There is the creative complexity of the fact that a son , in many senses , replaces his father . ... One way of looking at All My Sons is in these universal terms : the father , in effect , destroys one of his sons , and that son ...
( Introduction 16 ) The play that resulted was All My Sons , and with its success and the subsequent acclaim won by both Death of a Salesman in 1949 and The Crucible in 1953 , Miller secured his place as one of the leading dramatists to ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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