The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... son , who had known of his father's guilt - is again directly in Ibsen's terms . The elements of theatrical contrivance in Ibsen's plays of this kind , and in All My Sons , are now sufficiently clear . Yet the total effect of such a ...
... Sons is in these universal terms : the father , in effect , destroys one of his sons , and that son , in his turn , gives sentence of death on him , while at the same time , to the other son , the father offers a future , and the son ...
... Sons , and with its success and the subsequent acclaim won by both Death of a Salesman in 1949 and The Crucible in 1953 , Miller secured his place as one of the leading dramatists to emerge from the post - World War II American theatre ...
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Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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