The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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But these memories are not invalid because they are only Willy's . While he is often self - inspired to prophesy the future , Willy is wholly incapable of modifying the past . It is apparent especially toward the end of the play that ...
The past Willy “ hallucinates ” has been actual and , central to the play's meaning , is active in the present : " dream ... When the action is in the past , that is in Willy's mind , these are ignored , as if to say that the past ...
The dream sequences involving Willy's successful older brother Ben , now dead , constitute Willy's quest for “ the ... Three times Ben appears , three times Willy puts the question to him , three times Ben responds , and three times ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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