The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... audience . “ This is the end of the story . Good night , " were his final words . This representational device , which deliberately framed the play as a play , is absent in the revised version . Such a difference in representation may ...
... audience . We can understand that Ibsen was counting on the sympathy of the audience for the persecuted Doctor , at the same time that he was revealing his own ambivalence towards the man who is a rebel at all costs . But by presuming ...
... audience certainly perceive the growing conflict between Church and State in the play . For the modern audiences , the religious authority of incubi and succubi , with which Hale believes his books are weighted , clearly does not exist ...
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Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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