The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Welcome to the theater , ” Alfieri greeted his audience . “ This is the end of the story . Good night , ” were his final words . This representational device , which deliberately framed the play as a play , is absent in the revised ...
While much of this partakes of the grotesque , its aimlessness inevitably tries the patience of a modern audience . We can understand that Ibsen was counting on the sympathy of the audience for the persecuted Doctor , at the same time ...
For the modern audiences , the religious authority of incubi and succubi , with which Hale believes his books are weighted ... For the " crying out ” is about to begin , and the audience already knows the " sport ” ( 11 ) that the ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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