The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... beginning of the second . " Oh , that's all right , " Quentin greets him , “ I didn't mind waiting . How much time do I have ? ” ( 90 ) . In the end , Quentin turns away from the Listener and departs , no longer recalling images from ...
... beginning of his final scene with Maggie : Or is it possible ... that this is not bizarre ... to anyone ? And I am not alone , and no man lives who would not rather be the sole survivor of this place than all its finest victims ! What ...
... beginning was a sense of the past and a sense of the rootedness of everything that happens " ( Hayman 6 ) . 2 That Ibsen's influence is more deeply rooted in Miller's work than he may be consciously aware of has been demonstrated by a ...
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Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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