The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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This egotism of Ibsen's Doctor , which manifests itself again in an excessive concern about the printing of the report , is transformed in the same breath into a suspiciousness bordering on paranoia at not having been granted the ...
Even his concern with shaping language , with molding speech into distinctive rhythms , is an aspect of his concern with time for , as Sam Shepard has remarked , “ rhythm is the delineation of time in space " ( Lippman 11 ) .
It is striking , though , that a play which seems concerned with personal and social entropy should begin and end with ... Ironically , in a memo to the director , it is not primarily the difficulties with the star that concern him but ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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