The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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This essay first appeared in the Michigan Quarterly Review 5 ( Fall 1966 ) and reappeared in a somewhat altered form in the author's The Gorgon's Head : A Study in Tragedy and Despair , Athens , Georgia , 1977.
Bronson's essay is included in this collection . Miller's use of Christian symbolism in After the Fall in the subject of John J. Stinson's “ Structure in After the Fall : The Relevance of the Maggie Episodes to the Main Themes and the ...
An unusual , and highly effective , approach to Miller's handling of dramatic form is found in Marianne Boruch's " Miller and Things , ” The Literary Review 24 ( Summer 1981 ) , 548-61 , an essay that appears in this book .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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