The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Miller sees America as a nation full of crazy people , insisting : “ More hospital beds in the United States are occupied by ... As Patricia insists : “ Anybody with any sense has got to be depressed in this country ” ( 28 ) .
They are , he insists , not “ doing ” anything , merely photographing it . It is , he suggests , by way of being a documentary . Accordingly , he points to the beauty of the mountains as a perfect backdrop , a tasteful framing device ...
The answer , Paul insists , is that Kitty should assume responsibility for her own life . Jerome's diagnosis is that Kitty is “ not surrounded by culture or by love but exploitation , by people digging out pieces of your flesh !
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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