The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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a > of a Salesman , act one ends in a kind of double exposure as Miller stages two scenes quietly in tandem . A conversation occurs between Willy and Linda upstairs while Biff wanders around in the nighttime kitchen .
In a play such as Doctor Faustus , the soliloquy , as a kind of dialogue for one speaker , relocates the conflicting voices of the morality play within Faustus's mind and thereby generates the illusion of interiority and psychological ...
In Some Kind of Love Story , the past is deeply problematic , a kind of holodeck in which two people locate themselves within competing narratives , while desperate for some connection , perhaps no longer between one and another but ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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