The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... language and style that complements his particular vision for each play , a language sculpted so that its rhythms and musicality hardly call attention to its artificiality , its theatricality , its poetic nature . While transmitted to ...
... language - images , symbols , metaphors - indigenous to the society of the play's characters . The language of the Salemites is steeped in the biblical and religious allusions of their theocratic society . Moreover , the poetic language ...
... language because “ a large context of traditional beliefs gives meaning to their words . " However , Stephen Fender in " Precision and Pseudo - Precision in The Crucible " argues that the language of the Salemites actually reveals " the ...
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Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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