The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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He knows that he is wicked , but since he does evil for the sake of Good , since a whole people waits for deliverance at his hands , he looks upon himself as a sanctified evil - doer " ( 50 ) . The Professor's " bad faith " extends ...
The look of the gentile circumscribes the situation of a Jew and defines the choices he is compelled to make . ... a " we " consciousness is simply the fact that the Nazi , or the " third " as Sartre would call him , looks upon them ...
Look within : But the tragic vision looks without , perceiving not fusion but antinomy between man and God ; tension between man and nature ; irony and contradiction between is and ought , between being and becoming .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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