The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Memories Infuse Two Miller One - Acters John Beaufort Danger : Memory ! at the Mitzi E. Newhouse Theater , is an evening of rituals and mystery . The rituals are small and the mystery is psychological rather than conventionally plotted ...
of course memory , as Studs Terkel warned , is not an objective truth . It is deformed , reshaped , decontextualized , prize free of its temporal location . Past events , actions , emotions are recalibrated , re - tuned .
Principles of Psychology , that primary memory is to be distinguished from what he called secondary memory— “ the rearward portion of the present space of time ” ( Parkin 2 ) . The past is not the trailing edge of the present but it is ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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