The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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In the next few scenes , most of the main characters move in and out of his mind in this context . Felice appears about to remove the bandages from her new nose ; and Quentin asks , “ Well , that's power isn't it ?
What I had before me was the way the mind — at least my mind - actually worked . One asks a policeman for directions ; as one listens , the hairs sticking out of his nose become important , reminding one of a father , brother , son with ...
Humanity , as Miller put it in our conversation , the human mind , is the subject . Miller does not find it disturbing or depressing that there is no inherent order or purpose to life and human existence . The greatness of humanity lies ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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