The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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More scholars , for example , consider the significance of cultural inheritances in Willy Loman's obsession with the success myth in Death of a Salesman . Barclay W. Bates , in “ The Lost Past in Death of a Salesman , ” Modern Drama 11 ...
That is why contemporary writers are frequent fabricators of myth but only occasional recorders of tragedy . Arthur Miller's Death of a Salesman is a possible exception . Certainly no other contemporary American play fits better the ...
Willy Loman is mesmerized by a national myth embodied in the person of his brother Ben who went into the jungle and came out rich . But , as Frank Kermode has said , “ Myths take place in a quite different order of time .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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