The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... objects with the hope of bringing us logically and intuitively into the beginning dramatic action , so he takes care ... object . Perhaps the finest example of such procedure comes before and after the famous boxing " lesson " in A View ...
... objects Miller tips us off to the inner substance of his characters , or at least what they appear to be to the main figures whose viewpoints often shadow the plays . Holga , for instance , in After the Fall , is continually directed to ...
... objects . To put on clothes is to hide one's object - state ; it is to claim the right of seeing without being seen ; that is , to be pure subject . This is why the Biblical symbol of the fall after the original sin is the fact that ...
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Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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