The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Now it is possible for everyman to be whatever he can imagine himself being . For his being is forever transcended and thus uniformly present in his becoming . Is and ought coalesce in uniform tense . And what of the dreadful night of ...
Miller searched for a new language for the modern stage : " Was it possible , ” Miller wrote last month , “ to create a style that would at once deeply engage an American audience that insisted on a recognizable reality of characters ...
For all these reasons , Arthur Miller is right in calling theater “ the art of the possible ” ( Echoes 312 ) . What about Miller's own theater — a theater that has addressed the problems of war - profiteering crimes , anti - Semitism ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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