The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... protagonist's consciousness . The playwright attempts to reveal a tragic progression within the consciousness of the protagonist . He employs , as the instrumentation of vision , a complex theatre symbol : a union of gesture , word ...
... protagonist ; that is to say , with the idea of a truly common man as tragic hero . For at first glance , Willy Loman , as a symbol of modern man , seems to have critical shortcomings . To begin with , he does not seem to have sinned ...
... protagonist , the " lead character , " who determines the play's " central reality . " Its plot , meanwhile , " is carried forward by [ that ] one individual wrestling " with a moral quandary , and the sequence of scenes is tightly ...
Περιεχόμενα
Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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