The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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It was the fact that a political , objective , knowledgeable campaign from the far Right was capable of creating not only a terror , but a new subjective reality , a veritable mystique which was gradually assuming even a holy resonance ...
Reality is not limited in this play to something physical with a definite shape and external to human consciousness ; instead , by centering his drama within Lyman's disoriented mind , Miller presents reality as a shapeless , dynamic ...
Vicarious pleasure was available in complete safety and with the press of a button on a remote control , remote , too , from the reality of the event thus instantaneously translated into fragmented images and sound bites .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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