The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Similar to Birenshatz in Sartre's novel , The Reprieve , Marchand is disgusted by the Jewishness of others and considers himself to be purely French . But , as Sartre says , " If the Jew has decided that his race does not exist , it is ...
“ I'm so sorry about this , " she says . No sooner has an audience heard Sylvia's apology than it is confronted with her muted fury , as Phillip brings news of their son , Jerome , a West Point graduate who , according to his father ...
“ You didn't want me to be the man here , ” he says . She blames her disenchantment on Gellburg's early refusal to let her go back to the accounting job she loved when they first met . And so it goes : a sediment of hate and anguish and ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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