The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Talk can create something , Miller says , but he does so not by insisting but by putting the creation on stage , by doing the job dramatically . The relationship between Victor and Solomon , whatever it is ( at the end of the play ...
One imagines the growing attention of the audience as the beam slowly moves off the cozy , almost natural situation of center stage with its flowered armchair and end table and old twenties radio , moving now in a larger and larger ...
As Michal Kobialka argues in Of Borders and Thresholds : Theatre History , Practice , and Theory ( 1999 ) , the theater is full of borders and boundaries : The separation between life and the imitation of life on the stage , between the ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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