The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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No , for when an immoral antagonist or evil negation is objectively , concretely existent , and when the protagonist is outside society , or detached from it , we are being told a mythic , not tragic , story . All tragedy takes place in ...
It is not history , as no good story should be ; but as all good stories must be it is truer than history . Death of a Salesman dramatizes the tragic life and death of the American Dream . Willy Loman , the salesman of the story ...
It tells the story of a man , David , for whom everything turns out well and who thus believes that he has no hand in his own destiny . He is the beneficiary of chance , of coincidence , of , in short , luck .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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