The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Recalling his mother's telling him that she had seen a portentous falling star when he first moved in her womb , he wonders ... Images of Maggie recur in his mind , sneering at him as “ Judge ” and “ Judgey , ” and he tells Louise that ...
Not above a pun , the stage direction tells us that Eddie “ is incensing himself . ” Eddie takes their confrontation out of time , “ Like in the Bible ” ( 436-38 ) . The entire play searches for a law that would encompass this eternal ...
“ I can't describe it , ” she tells her sister Harriet about the numbness that has come over her limbs . “ It's like I was just born and I ... didn't want to come out yet . Like a deep , terrible aching .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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