The Critical Response to Arthur MillerSteven R. Centola, Michelle Cirulli Bloomsbury Academic, 30 Μαΐ 2006 - 592 σελίδες Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. |
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... turn your back --- but in your own ? In Quentin's name . Always in your own blood - covered name you turn you back . What he has discovered about himself , that he can betray , and kill , that he is , as a human being , potentially ...
... turn your back ... but in your own ? In Quentin's name . Always in your own blood - covered name you turn your back ! " ( 126 ) . He recognizes finally the source of the personal violence which he has identified and in which he is ...
... turn your back ? ... I saw it clear - in whose name you turn your back ! I saw it once , I saw the name ! ... In whose name ? In whose blood- covered name do you look into a face you loved , and say , ' Now you have been found wanting ...
Περιεχόμενα
Early Response to 1959 | 4 |
the Coronet Theatre with an Excellent Cast of Actors | 25 |
Criticism 19601969 | 45 |
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