The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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An established , wealthy American writer , Adrian was attending a conference in Paris when he had a " blinding vision of the inside of ( Maya's ) ... After spending two years writing such a novel , he had set it aside , unsatisfied .
Whoever is writing in the United States is using the American Dream as an ironical pole of his story . " ( Arthur Miller in Roudane 361 ) During a prolonged period of silence between A View From the Bridge in 1956 and After the Fall in ...
Writing as a student at the University of Michigan , he won two prestigious Hopwood Awards and was a runner - up with his third play . He wrote his first , No Villain , in 1936 , and followed it with a series of plays in which he tested ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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