Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Σελίδα 44
Charles Herbert Kitson. Ꮎ 8 6 · 8 The adding of plain parts to a tune in the Soprano : Soprano and Bass by Gibbons . Ex . 67 . 8 8 -e- 8 d d Ꮎ O 8 d d d d d . More elaborate Counterpoint 44 STRICT COUNTERPOINT.
Charles Herbert Kitson. Ꮎ 8 6 · 8 The adding of plain parts to a tune in the Soprano : Soprano and Bass by Gibbons . Ex . 67 . 8 8 -e- 8 d d Ꮎ O 8 d d d d d . More elaborate Counterpoint 44 STRICT COUNTERPOINT.
Σελίδα 50
Charles Herbert Kitson. ( d ) DUNDEE . -Ө HOH 3. Add A. and T. to the following S. and B. by Gibbons : ( a ) ( b ) ( c )ま dd ます ddo 50 STRICT COUNTERPOINT.
Charles Herbert Kitson. ( d ) DUNDEE . -Ө HOH 3. Add A. and T. to the following S. and B. by Gibbons : ( a ) ( b ) ( c )ま dd ます ddo 50 STRICT COUNTERPOINT.
Σελίδα 60
... Gibbons , and a few others . The art of Counterpoint had reached its zenith , so that in all the work no novelty in the use of resource is to be looked for . Composers contented them- selves with ordinary canons of Strict Counterpoint ...
... Gibbons , and a few others . The art of Counterpoint had reached its zenith , so that in all the work no novelty in the use of resource is to be looked for . Composers contented them- selves with ordinary canons of Strict Counterpoint ...
Σελίδα 64
... Gibbons sometimes resolves the discord before the proper time ; but this is altogether irregular in pure Strict Counter- point : Ex . 81 . GIBBONS . Dainty fine bird . ed d . 3. Characteristic idioms . It will be useful to have a list ...
... Gibbons sometimes resolves the discord before the proper time ; but this is altogether irregular in pure Strict Counter- point : Ex . 81 . GIBBONS . Dainty fine bird . ed d . 3. Characteristic idioms . It will be useful to have a list ...
Σελίδα 67
... . нон Ld нан ( h ) The following endings : Ex . 90 . A HERSH BATTEN . Deliver us . men . Ex . 91 . нон HIGH GIBBONS . Almighty and everlasting God . men . HOH HIGH . -Hatt BLOW . Nunc Dimittis . Ex . 92 . A E 2 MADRIGAL AND MOTET WRITING ...
... . нон Ld нан ( h ) The following endings : Ex . 90 . A HERSH BATTEN . Deliver us . men . Ex . 91 . нон HIGH GIBBONS . Almighty and everlasting God . men . HOH HIGH . -Hatt BLOW . Nunc Dimittis . Ex . 92 . A E 2 MADRIGAL AND MOTET WRITING ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc Crê dance with glad diminished triad dol céz dór example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Kyrie Madrigal Magnificat Melisma mem brance minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth plain Counterpoint Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four smi-su Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel lez syncopated technique Tenor third crotchet treatise unessential notes НОН
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.