Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 6.
Σελίδα 8
... allows the use of four quavers in succession : Ex . 5 . Others forbid it . Thus there are conflicting opinions upon four vital points : ( a ) the number of harmonies allowable in a bar , ( b ) the scope of the harmonic scheme , ( c ) ...
... allows the use of four quavers in succession : Ex . 5 . Others forbid it . Thus there are conflicting opinions upon four vital points : ( a ) the number of harmonies allowable in a bar , ( b ) the scope of the harmonic scheme , ( c ) ...
Σελίδα 11
... allow the first inversion of the diminished triad , why do you not allow the first inversion of the augmented triad ? Or again , cannot we include the six - four in the scheme ? Theorists shake their heads and say , ' No , it is not ...
... allow the first inversion of the diminished triad , why do you not allow the first inversion of the augmented triad ? Or again , cannot we include the six - four in the scheme ? Theorists shake their heads and say , ' No , it is not ...
Σελίδα 23
... allow . 9. Our chief cause of complaint is that the harmonic scheme has been limited , so that musical work in combined Counterpoint became an impossibility . In fact , combined Counterpoint was a Chinese puzzle . Fortunately , most ...
... allow . 9. Our chief cause of complaint is that the harmonic scheme has been limited , so that musical work in combined Counterpoint became an impossibility . In fact , combined Counterpoint was a Chinese puzzle . Fortunately , most ...
Σελίδα 30
... allow a beginner to write anything that is wrong from the current standpoint . We should accept everything that is right both from the old and the modern point of view . But we should be careful that the modern statement of technique ...
... allow a beginner to write anything that is wrong from the current standpoint . We should accept everything that is right both from the old and the modern point of view . But we should be careful that the modern statement of technique ...
Σελίδα 54
... allow the parts to imitate the next line before its entry , and so on till the end of the Chorale . 10. The double bars , of course , are omitted . II . If the C. F. end with an accented minim , regard it as lasting in effect over the ...
... allow the parts to imitate the next line before its entry , and so on till the end of the Chorale . 10. The double bars , of course , are omitted . II . If the C. F. end with an accented minim , regard it as lasting in effect over the ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc Crê dance with glad diminished triad dol céz dór example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Kyrie Madrigal Magnificat Melisma mem brance minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth plain Counterpoint Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four smi-su Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel lez syncopated technique Tenor third crotchet treatise unessential notes НОН
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.