Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 5.
Σελίδα 4
... criticize theory by the only possible criterion , that of practice . To study merely the grammar of a language is a sheer waste of valuable time : no one would ever learn grammar merely for its own sake . It is hoped that this treatise ...
... criticize theory by the only possible criterion , that of practice . To study merely the grammar of a language is a sheer waste of valuable time : no one would ever learn grammar merely for its own sake . It is hoped that this treatise ...
Σελίδα 7
... criticized by different theorists as being correct or incorrect . For instance , one theorist will say that in the following example , Ex . I. the second minim ( E ) is incorrectly quitted by leap , because it is no part of the chord G ...
... criticized by different theorists as being correct or incorrect . For instance , one theorist will say that in the following example , Ex . I. the second minim ( E ) is incorrectly quitted by leap , because it is no part of the chord G ...
Σελίδα 17
... criticized in reference to the standard of taste and stage of evolution of the present period . Any rules must therefore be in accordance with a definite period that is past , or they must be entirely in accord with present practice ...
... criticized in reference to the standard of taste and stage of evolution of the present period . Any rules must therefore be in accordance with a definite period that is past , or they must be entirely in accord with present practice ...
Σελίδα 30
... criticizing consecutives from the modern rhythmic point of view . If Strict Counterpoint were in exactly the same position as Greek or Latin , we might teach it exactly as it is . Because we write ' Ego et tu ' , we are not induced to ...
... criticizing consecutives from the modern rhythmic point of view . If Strict Counterpoint were in exactly the same position as Greek or Latin , we might teach it exactly as it is . Because we write ' Ego et tu ' , we are not induced to ...
Σελίδα 73
... criticizing the accentuation of the above as being faulty . All this music was originally written without bar - lines . The rhythm of the Alto would be accurately interpreted thus : Ex . 108 . lov - ers dance with gladness , with ...
... criticizing the accentuation of the above as being faulty . All this music was originally written without bar - lines . The rhythm of the Alto would be accurately interpreted thus : Ex . 108 . lov - ers dance with gladness , with ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.