Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Σελίδα 16
... Species . Such arguments are merely due to the fact that technical work has been regarded as the beginning and the ... Fourth Species . See bars 2 , 3 , 4 , 5 , 6 ( 8 , 9 , 10 , 11 , 12 ) . ( 5 ) A combination of these , with a few ...
... Species . Such arguments are merely due to the fact that technical work has been regarded as the beginning and the ... Fourth Species . See bars 2 , 3 , 4 , 5 , 6 ( 8 , 9 , 10 , 11 , 12 ) . ( 5 ) A combination of these , with a few ...
Σελίδα 20
... fourth species . Let it be clearly understood then that the original statement was the concordances are so and so ; and that this does not imply that they cannot be combined with discordances , forming any classified modern discord ...
... fourth species . Let it be clearly understood then that the original statement was the concordances are so and so ; and that this does not imply that they cannot be combined with discordances , forming any classified modern discord ...
Σελίδα 21
... fourth species . We have now cleared up three vital points : ( 1 ) the purpose and place of the semibreve C.F .; ( 2 ) the authority for the use of two chords in a bar ; ( 3 ) the nature and scope of the harmonic scheme . 7. For the ...
... fourth species . We have now cleared up three vital points : ( 1 ) the purpose and place of the semibreve C.F .; ( 2 ) the authority for the use of two chords in a bar ; ( 3 ) the nature and scope of the harmonic scheme . 7. For the ...
Σελίδα 31
... fourth species prin- ciple . ( e ) The melodic idioms of Florid Counterpoint are used over the time duration of a semibreve ( two accents ) no matter whether a semibreve be present or not ( see the CHAPTER II FLORID STRICT COUNTERPOINT ...
... fourth species prin- ciple . ( e ) The melodic idioms of Florid Counterpoint are used over the time duration of a semibreve ( two accents ) no matter whether a semibreve be present or not ( see the CHAPTER II FLORID STRICT COUNTERPOINT ...
Σελίδα 40
... fourth species , we produce a series of chords moving in minims : Ex . 58 .ま dd & c . Of course , each bar may contain one or two chords . 2. The exigencies of words demand repeated notes . ( a ) Repeated minims in the bar are ...
... fourth species , we produce a series of chords moving in minims : Ex . 58 .ま dd & c . Of course , each bar may contain one or two chords . 2. The exigencies of words demand repeated notes . ( a ) Repeated minims in the bar are ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.