Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
Αναζήτηση στο βιβλίο
Αποτελέσματα 1 - 5 από τα 13.
Σελίδα 8
... melodic progression , ( d ) the nature of melodic rhythm . 2. Diversity of opinion has been caused by two great defects in the method of teaching the subject : ( a ) In the process of modernizing the subject , the sub- stitution of the ...
... melodic progression , ( d ) the nature of melodic rhythm . 2. Diversity of opinion has been caused by two great defects in the method of teaching the subject : ( a ) In the process of modernizing the subject , the sub- stitution of the ...
Σελίδα 9
... melodic interest of his parts , his harmonic scheme is to be of the slenderest description - only common chords and their first inversions , and the first inversion of the diminished triad . He is to have a given part moving quite ...
... melodic interest of his parts , his harmonic scheme is to be of the slenderest description - only common chords and their first inversions , and the first inversion of the diminished triad . He is to have a given part moving quite ...
Σελίδα 10
... really rather absurd to be so strict in reference to melodic progression . And so in this sphere we get extensions of original principles , such as Ex . 9 . Then , too , it seems narrow - minded to ΙΟ STRICT COUNTERPOINT.
... really rather absurd to be so strict in reference to melodic progression . And so in this sphere we get extensions of original principles , such as Ex . 9 . Then , too , it seems narrow - minded to ΙΟ STRICT COUNTERPOINT.
Σελίδα 11
... melodic progression in reference to voices when writing for instruments . Over and above all this , what authority has Dr. Jones or Dr. Smith for extending or restricting laws , or for inventing them ? It will thus be seen that this ...
... melodic progression in reference to voices when writing for instruments . Over and above all this , what authority has Dr. Jones or Dr. Smith for extending or restricting laws , or for inventing them ? It will thus be seen that this ...
Σελίδα 12
Charles Herbert Kitson. restricted and melodic progression extended . But it will at once occur to us that we ought to find out how it is that text- books can contain such examples as Ex . 12 . ( a ) . ( b ) At ( a ) is an implied six ...
Charles Herbert Kitson. restricted and melodic progression extended . But it will at once occur to us that we ought to find out how it is that text- books can contain such examples as Ex . 12 . ( a ) . ( b ) At ( a ) is an implied six ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.