Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Σελίδα 16
... movement at a time . Thus the theorist collects the various examples of each kind of movement and formulates his rules from them . In the same way he deduces his rules for combined movement . This classification takes the following ...
... movement at a time . Thus the theorist collects the various examples of each kind of movement and formulates his rules from them . In the same way he deduces his rules for combined movement . This classification takes the following ...
Σελίδα 25
... an unprepared seventh . The following is certainly more in keeping with the spirit of the period : Ex . 34 . d Ꮎ The following is , of course , correct : Ex . 35 . The even movement of the minims does not draw attention THE PREMISSES 25.
... an unprepared seventh . The following is certainly more in keeping with the spirit of the period : Ex . 34 . d Ꮎ The following is , of course , correct : Ex . 35 . The even movement of the minims does not draw attention THE PREMISSES 25.
Σελίδα 26
Charles Herbert Kitson. The even movement of the minims does not draw attention to the F in the same way as Ex . 36 . ( d ) is even worse . spirit of the period . It is not bad music , but it is foreign to the All effects of this sort ...
Charles Herbert Kitson. The even movement of the minims does not draw attention to the F in the same way as Ex . 36 . ( d ) is even worse . spirit of the period . It is not bad music , but it is foreign to the All effects of this sort ...
Σελίδα 54
... movement should be fairly uniform . 7. When the C. F. enters , the added parts should not de- generate into mere notes . Some part should rest momentarily , and re - enter with a point of imitation . 8. Before the first line is finished ...
... movement should be fairly uniform . 7. When the C. F. enters , the added parts should not de- generate into mere notes . Some part should rest momentarily , and re - enter with a point of imitation . 8. Before the first line is finished ...
Σελίδα 62
... movement against them be crotchets also . Similarly , minims are always written according to second species principle and so forth . Thus the following is incorrect sixteenth - century technique : Ex . 75 . But the next example is ...
... movement against them be crotchets also . Similarly , minims are always written according to second species principle and so forth . Thus the following is incorrect sixteenth - century technique : Ex . 75 . But the next example is ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.