Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 9.
Σελίδα 8
... nature of melodic progression , ( d ) the nature of melodic rhythm . 2. Diversity of opinion has been caused by two great defects in the method of teaching the subject : ( a ) In the process of modernizing the subject , the sub ...
... nature of melodic progression , ( d ) the nature of melodic rhythm . 2. Diversity of opinion has been caused by two great defects in the method of teaching the subject : ( a ) In the process of modernizing the subject , the sub ...
Σελίδα 9
... natural laws which must always govern the principles of acceptable tone - combination . Such rules are peculiar to no particular age or period . ' But it is not in regard to rules of this nature that there is grave diversity of opinion ...
... natural laws which must always govern the principles of acceptable tone - combination . Such rules are peculiar to no particular age or period . ' But it is not in regard to rules of this nature that there is grave diversity of opinion ...
Σελίδα 12
... sixth . We may explain ( 1 ) by saying that B , E , and D are unessential notes . That being so , the student may add a fourth part , thus : Ex . 14 . and so expose the mechanical nature of his teaching . 12 STRICT COUNTERPOINT.
... sixth . We may explain ( 1 ) by saying that B , E , and D are unessential notes . That being so , the student may add a fourth part , thus : Ex . 14 . and so expose the mechanical nature of his teaching . 12 STRICT COUNTERPOINT.
Σελίδα 13
... nature that no one could say such things cannot be granted ; for instance , that a straight line may be drawn from any one point to any other point . He simply demands what suffices to carry out his proposals . This , in Counterpoint ...
... nature that no one could say such things cannot be granted ; for instance , that a straight line may be drawn from any one point to any other point . He simply demands what suffices to carry out his proposals . This , in Counterpoint ...
Σελίδα 16
... bar 9 ( No. 18 ) are alone enough to refute any such argument ; and the practice of a period is the sole basis for ruling of this nature . It will be further observed that all suspended discords resolve 16 STRICT COUNTERPOINT.
... bar 9 ( No. 18 ) are alone enough to refute any such argument ; and the practice of a period is the sole basis for ruling of this nature . It will be further observed that all suspended discords resolve 16 STRICT COUNTERPOINT.
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.