Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 6.
Σελίδα 9
... never taken beyond its merely technical stage , so that in process of time it has come to be regarded as an abstract study , and its rules have been modified by theorists with no reference to the original premisses . To say the least ...
... never taken beyond its merely technical stage , so that in process of time it has come to be regarded as an abstract study , and its rules have been modified by theorists with no reference to the original premisses . To say the least ...
Σελίδα 14
... never was . That is the real crux of the whole matter . The system of some theorists cannot be verified from the practice of any period , but is a confusion of the old with the new , due to a want of historical research . 5. We shall ...
... never was . That is the real crux of the whole matter . The system of some theorists cannot be verified from the practice of any period , but is a confusion of the old with the new , due to a want of historical research . 5. We shall ...
Σελίδα 16
... never used in actual com- position as a uniform factor . Having discovered this much , we find that this gives us a basis for further deductions . Does a semibreve necessarily imply one chord ? Bar 7 of the above ( No. 6 ) and bar 9 ...
... never used in actual com- position as a uniform factor . Having discovered this much , we find that this gives us a basis for further deductions . Does a semibreve necessarily imply one chord ? Bar 7 of the above ( No. 6 ) and bar 9 ...
Σελίδα 18
... never dreamt of excluding . Ex . 17 . d e ( 2 ) g If we use the term chord at all , the combinations abcd have as much right to be called chords as a efg . In fact at ( 1 ) we have a dominant thirteenth , at ( 2 ) a dominant seventh ...
... never dreamt of excluding . Ex . 17 . d e ( 2 ) g If we use the term chord at all , the combinations abcd have as much right to be called chords as a efg . In fact at ( 1 ) we have a dominant thirteenth , at ( 2 ) a dominant seventh ...
Σελίδα 31
... never occur . Indeed it might occur in every bar in different parts , but its presence is not a necessity . 2. Whether a semibreve be present or not , the parts move exactly as if it were there , except that when two chords a bar are ...
... never occur . Indeed it might occur in every bar in different parts , but its presence is not a necessity . 2. Whether a semibreve be present or not , the parts move exactly as if it were there , except that when two chords a bar are ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.