Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Σελίδα 12
Charles Herbert Kitson. restricted and melodic progression extended . But it will at once occur to us that we ought to find out how it is that text- books can contain such examples as Ex . 12 . ( a ) . ( b ) At ( a ) is an implied six ...
Charles Herbert Kitson. restricted and melodic progression extended . But it will at once occur to us that we ought to find out how it is that text- books can contain such examples as Ex . 12 . ( a ) . ( b ) At ( a ) is an implied six ...
Σελίδα 13
... occur to any intelligent student . The unsatisfactory answer of the Macfarren school of thought we have already detailed . But we must also explain its ulterior basis . It is stated that Counterpoint stands in the same relation to music ...
... occur to any intelligent student . The unsatisfactory answer of the Macfarren school of thought we have already detailed . But we must also explain its ulterior basis . It is stated that Counterpoint stands in the same relation to music ...
Σελίδα 16
... occur , hence it is a convenient means of studying the various phases of the technique . And this is the reason why Strict Counterpoint is always studied with a semibreve Canto Fermo . It is therefore an artificial device ; it is never ...
... occur , hence it is a convenient means of studying the various phases of the technique . And this is the reason why Strict Counterpoint is always studied with a semibreve Canto Fermo . It is therefore an artificial device ; it is never ...
Σελίδα 18
... occur : it was not that it was forbidden , but that it did not come within the scheme . If modern theorists had said that the consonances were the common chord , & c . , that would have prevented the two miscon- ceptions that we have to ...
... occur : it was not that it was forbidden , but that it did not come within the scheme . If modern theorists had said that the consonances were the common chord , & c . , that would have prevented the two miscon- ceptions that we have to ...
Σελίδα 20
... occur in combining first , second , and fourth species . Let it be clearly understood then that the original statement was the concordances are so and so ; and that this does not imply that they cannot be combined with discordances ...
... occur in combining first , second , and fourth species . Let it be clearly understood then that the original statement was the concordances are so and so ; and that this does not imply that they cannot be combined with discordances ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.