Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
Αναζήτηση στο βιβλίο
Αποτελέσματα 1 - 5 από τα 27.
Σελίδα 3
... Period . My previous treatise , The Art of Counterpoint , dealt merely with the grammar of the subject . There is little point in being able to decline - let us say - amicus or Caesar , or to conjugate interficio , if we cannot form ...
... Period . My previous treatise , The Art of Counterpoint , dealt merely with the grammar of the subject . There is little point in being able to decline - let us say - amicus or Caesar , or to conjugate interficio , if we cannot form ...
Σελίδα 9
... period and not of expediency . The view that it is one of expediency results in some of the rules be- ing non - existent in the technique of any age or period . Further , it has led to a restriction in harmonic scheme which was never ...
... period and not of expediency . The view that it is one of expediency results in some of the rules be- ing non - existent in the technique of any age or period . Further , it has led to a restriction in harmonic scheme which was never ...
Σελίδα 14
... period when Counterpoint was the only method of composition known , i.e. the Polyphonic Period , and the treatise on Counter- point was to the student of those days what the harmony book is to the present - day student - his means of ...
... period when Counterpoint was the only method of composition known , i.e. the Polyphonic Period , and the treatise on Counter- point was to the student of those days what the harmony book is to the present - day student - his means of ...
Σελίδα 16
... period , and that we wish to teach pupils to compose in this style . In this period the term chord , as used in reference to a block of harmony , was unknown . Harmonic effects were calculated by intervals , and the whole method was ...
... period , and that we wish to teach pupils to compose in this style . In this period the term chord , as used in reference to a block of harmony , was unknown . Harmonic effects were calculated by intervals , and the whole method was ...
Σελίδα 17
... period . Any rules must therefore be in accordance with a definite period that is past , or they must be entirely in accord with present practice . To return for a moment to the Palestrina example , at ( 14 ) there is an example of a ...
... period . Any rules must therefore be in accordance with a definite period that is past , or they must be entirely in accord with present practice . To return for a moment to the Palestrina example , at ( 14 ) there is an example of a ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.