Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 7.
Σελίδα 8
... regarded as a kind of appoggiatura to the A. Two more points may be advanced as illustrations of the diversity of teaching that has arisen . Some say that the melodic interval of a diminished fifth may be used , if the melody at once ...
... regarded as a kind of appoggiatura to the A. Two more points may be advanced as illustrations of the diversity of teaching that has arisen . Some say that the melodic interval of a diminished fifth may be used , if the melody at once ...
Σελίδα 9
... regarded as an abstract study , and its rules have been modified by theorists with no reference to the original premisses . To say the least , this seems a very unscholarly procedure . But it was largely due to an ignorance of the fact ...
... regarded as an abstract study , and its rules have been modified by theorists with no reference to the original premisses . To say the least , this seems a very unscholarly procedure . But it was largely due to an ignorance of the fact ...
Σελίδα 16
... regarded as the beginning and the end of the matter . Let us begin by looking at the matter from a different point of view . Let us assume that we are teachers of the period , and that we wish to teach pupils to compose in this style ...
... regarded as the beginning and the end of the matter . Let us begin by looking at the matter from a different point of view . Let us assume that we are teachers of the period , and that we wish to teach pupils to compose in this style ...
Σελίδα 20
... : PALESTRINA . Kyrie . Aeterna Christi Munera . Ex . 22 . ( a ) PALESTRINA . Iste Confessor . Gloria . ( a ) Here the tenor is regarded as the real bass . If to these are added the other uses on the 20 STRICT COUNTERPOINT.
... : PALESTRINA . Kyrie . Aeterna Christi Munera . Ex . 22 . ( a ) PALESTRINA . Iste Confessor . Gloria . ( a ) Here the tenor is regarded as the real bass . If to these are added the other uses on the 20 STRICT COUNTERPOINT.
Σελίδα 60
... regarded as common property . 2. Technique . ( a ) The parts are not to be in Florid Species , as it is under- stood in the scholastic work , that is , as regards idioms . All the species may be used indiscriminately , and for any ...
... regarded as common property . 2. Technique . ( a ) The parts are not to be in Florid Species , as it is under- stood in the scholastic work , that is , as regards idioms . All the species may be used indiscriminately , and for any ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.