Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 12.
Σελίδα 8
... rhythm . 2. Diversity of opinion has been caused by two great defects in the method of teaching the subject : ( a ) In the process of modernizing the subject , the sub- stitution of the terminology of harmony for the original system of ...
... rhythm . 2. Diversity of opinion has been caused by two great defects in the method of teaching the subject : ( a ) In the process of modernizing the subject , the sub- stitution of the terminology of harmony for the original system of ...
Σελίδα 10
... rhythms , using one chord a bar . This represents the average student's and the average teacher's view in reference to the premisses of Strict Counter- point . Approaching the subject from this point of view , chiefly because no other ...
... rhythms , using one chord a bar . This represents the average student's and the average teacher's view in reference to the premisses of Strict Counter- point . Approaching the subject from this point of view , chiefly because no other ...
Σελίδα 17
... rhythm . ( 2 ) The aesthetic view . Apart from any question of historic authority , a procedure may be criticized in reference to the standard of taste and stage of evolution of the present period . Any rules must therefore be in ...
... rhythm . ( 2 ) The aesthetic view . Apart from any question of historic authority , a procedure may be criticized in reference to the standard of taste and stage of evolution of the present period . Any rules must therefore be in ...
Σελίδα 23
... person feels that such a rhythm as Ex . 29 . Excer 0 0 cannot be felt as having less than two accents a bar . Here again the final appeal must be to the music of the period . 10. It is important to bear in mind that a THE PREMISSES 23.
... person feels that such a rhythm as Ex . 29 . Excer 0 0 cannot be felt as having less than two accents a bar . Here again the final appeal must be to the music of the period . 10. It is important to bear in mind that a THE PREMISSES 23.
Σελίδα 27
... rhythm at ( 2 ) draws attention to the combination in a way that is not apparent in even move- ment in crotchets . Further , the combination is a discordance at ( 3 ) as well as at ( 2 ) , and this is contrary to the practice of the ...
... rhythm at ( 2 ) draws attention to the combination in a way that is not apparent in even move- ment in crotchets . Further , the combination is a discordance at ( 3 ) as well as at ( 2 ) , and this is contrary to the practice of the ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.