Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
Αναζήτηση στο βιβλίο
Αποτελέσματα 1 - 5 από τα 10.
Σελίδα 9
... rules of Counterpoint are the ' practical result of common every- day experience and observation of those natural laws which must always govern the principles of acceptable tone - combination . Such rules are peculiar to no particular ...
... rules of Counterpoint are the ' practical result of common every- day experience and observation of those natural laws which must always govern the principles of acceptable tone - combination . Such rules are peculiar to no particular ...
Σελίδα 11
... rules of Strict Counterpoint . Consider the many upon which there is complete agreement , as for example , that quavers must only be used on the second or fourth crotchet of the bar , that they must be approached and quitted by step ...
... rules of Strict Counterpoint . Consider the many upon which there is complete agreement , as for example , that quavers must only be used on the second or fourth crotchet of the bar , that they must be approached and quitted by step ...
Σελίδα 16
... rules from them . In the same way he deduces his rules for combined movement . This classification takes the following forms : ( 1 ) Simultaneous movement in all the parts , called note against note , or First Species . See bar 2 ( 1 ...
... rules from them . In the same way he deduces his rules for combined movement . This classification takes the following forms : ( 1 ) Simultaneous movement in all the parts , called note against note , or First Species . See bar 2 ( 1 ...
Σελίδα 17
... rules of melodic rhythm . ( 2 ) The aesthetic view . Apart from any question of historic authority , a procedure may be criticized in reference to the standard of taste and stage of evolution of the present period . Any rules must ...
... rules of melodic rhythm . ( 2 ) The aesthetic view . Apart from any question of historic authority , a procedure may be criticized in reference to the standard of taste and stage of evolution of the present period . Any rules must ...
Σελίδα 19
... rules for the use of unessential notes in reference to the preceding and succeeding consonances . We may here point out two uses of the chord of the six - four , the passing and auxiliary six - four . Ex . 18 . ( 2 ) We next consider ...
... rules for the use of unessential notes in reference to the preceding and succeeding consonances . We may here point out two uses of the chord of the six - four , the passing and auxiliary six - four . Ex . 18 . ( 2 ) We next consider ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.