Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Σελίδα 16
... Syncopation , or Fourth Species . See bars 2 , 3 , 4 , 5 , 6 ( 8 , 9 , 10 , 11 , 12 ) . ( 5 ) A combination of these , with a few variants , forming Florid or Fifth Species . See bars 5 , 6 , and 8 ( 13 , 14 , 15 ) . The semibreve Canto ...
... Syncopation , or Fourth Species . See bars 2 , 3 , 4 , 5 , 6 ( 8 , 9 , 10 , 11 , 12 ) . ( 5 ) A combination of these , with a few variants , forming Florid or Fifth Species . See bars 5 , 6 , and 8 ( 13 , 14 , 15 ) . The semibreve Canto ...
Σελίδα 22
... syncopated , the tenor becomes the real bass . ( c ) Ex . 26 . ( 6 ) ( 7 ) ( 6 ) is correct . ( 7 ) is incorrect . G to C is a fourth approached by leap . ( d ) Ex . 27 . ( 8 ) ( 9 ) ( 8 ) is correct as it forms a perfect fifth with the ...
... syncopated , the tenor becomes the real bass . ( c ) Ex . 26 . ( 6 ) ( 7 ) ( 6 ) is correct . ( 7 ) is incorrect . G to C is a fourth approached by leap . ( d ) Ex . 27 . ( 8 ) ( 9 ) ( 8 ) is correct as it forms a perfect fifth with the ...
Σελίδα 23
Charles Herbert Kitson. ( 10 ) is correct as B is a syncopated concord . ( 11 ) is incorrect as Bis a prepared discord resolving upwards . 8. The student is now in a position to verify the various rules of Strict Counterpoint by an ...
Charles Herbert Kitson. ( 10 ) is correct as B is a syncopated concord . ( 11 ) is incorrect as Bis a prepared discord resolving upwards . 8. The student is now in a position to verify the various rules of Strict Counterpoint by an ...
Σελίδα 31
... syncopated minims follow the fourth species prin- ciple . ( e ) The melodic idioms of Florid Counterpoint are used over the time duration of a semibreve ( two accents ) no matter whether a semibreve be present or not ( see the CHAPTER ...
... syncopated minims follow the fourth species prin- ciple . ( e ) The melodic idioms of Florid Counterpoint are used over the time duration of a semibreve ( two accents ) no matter whether a semibreve be present or not ( see the CHAPTER ...
Σελίδα 33
... ( a ) the Cat ( a ) could not be syncopated , as it is not part of the harmony F AD ; the true view is that both F and C are con- cords . Ex . 54 . PALESTRINA . Missa . Iste Confessor 1837 C WITHOUT A SEMIBREVE CANTO FERMO 33.
... ( a ) the Cat ( a ) could not be syncopated , as it is not part of the harmony F AD ; the true view is that both F and C are con- cords . Ex . 54 . PALESTRINA . Missa . Iste Confessor 1837 C WITHOUT A SEMIBREVE CANTO FERMO 33.
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.