Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Αποτελέσματα 1 - 5 από τα 8.
Σελίδα 8
... teaching that has arisen . Some say that the melodic interval of a diminished fifth may be used , if the melody at once proceeds to some note within the interval : Ex . 4 . Others say it may not be used . Finally , one theorist allows ...
... teaching that has arisen . Some say that the melodic interval of a diminished fifth may be used , if the melody at once proceeds to some note within the interval : Ex . 4 . Others say it may not be used . Finally , one theorist allows ...
Σελίδα 9
... teach this restricted scheme are clamouring for an extension which has been available all the time , if they would only see things aright . 3. It will be well to consider in some detail the view of ex- pediency in reference to ...
... teach this restricted scheme are clamouring for an extension which has been available all the time , if they would only see things aright . 3. It will be well to consider in some detail the view of ex- pediency in reference to ...
Σελίδα 10
... teacher's view in reference to the premisses of Strict Counter- point . Approaching the subject from this point of view , chiefly because no other one seems possible , the modern theorist proceeds to be logical . He says , two chords in ...
... teacher's view in reference to the premisses of Strict Counter- point . Approaching the subject from this point of view , chiefly because no other one seems possible , the modern theorist proceeds to be logical . He says , two chords in ...
Σελίδα 12
... an added sixth . We may explain ( 1 ) by saying that B , E , and D are unessential notes . That being so , the student may add a fourth part , thus : Ex . 14 . and so expose the mechanical nature of his teaching . 12 STRICT COUNTERPOINT.
... an added sixth . We may explain ( 1 ) by saying that B , E , and D are unessential notes . That being so , the student may add a fourth part , thus : Ex . 14 . and so expose the mechanical nature of his teaching . 12 STRICT COUNTERPOINT.
Σελίδα 13
Charles Herbert Kitson. and so expose the mechanical nature of his teaching . At present there does not seem to be any clue to the explanation of this apparent conflict of theory . Now the malcontents , or the ' agitators ' shall we call ...
Charles Herbert Kitson. and so expose the mechanical nature of his teaching . At present there does not seem to be any clue to the explanation of this apparent conflict of theory . Now the malcontents , or the ' agitators ' shall we call ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic bel lez BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc dance with glad diminished triad dol céz example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Ky ri Kyrie Madrigal Magnificat Melisma minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac sat in Ba Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel syncopated technique Tenor third crotchet treatise unessential notes нон
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.