Applied Strict CounterpointClarendon Press, 1916 - 100 σελίδες |
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Σελίδα 25
... treated as an auxiliary discord . It is exceedingly rare to find an auxiliary discord on the third crotchet , producing the effect of an unprepared seventh . The following is certainly more in keeping with the spirit of the period : Ex ...
... treated as an auxiliary discord . It is exceedingly rare to find an auxiliary discord on the third crotchet , producing the effect of an unprepared seventh . The following is certainly more in keeping with the spirit of the period : Ex ...
Σελίδα 32
... Missa . Aeterna Christi Munera . Ex . 49 . X 8 6. If a given part proceed as follows , Ex . 50 . it is best to treat the first crotchet as an essential note . 7. Such a bass as Ex . 51 . generally 333 FLORID STRICT COUNTERPOINT 32.
... Missa . Aeterna Christi Munera . Ex . 49 . X 8 6. If a given part proceed as follows , Ex . 50 . it is best to treat the first crotchet as an essential note . 7. Such a bass as Ex . 51 . generally 333 FLORID STRICT COUNTERPOINT 32.
Σελίδα 33
... treated as a discord . 8. The ornamental resolution of a discord may be doubled in time value : Ex . 52 . PALESTRINA . ( a ) Sicut Cervus . For the discord still resolves on the next weak accent ( a ) . 9. In Scholastic Counterpoint it ...
... treated as a discord . 8. The ornamental resolution of a discord may be doubled in time value : Ex . 52 . PALESTRINA . ( a ) Sicut Cervus . For the discord still resolves on the next weak accent ( a ) . 9. In Scholastic Counterpoint it ...
Σελίδα 48
... ORTO SIDERE . ( 2 ) ( 1 ) The line indicates the melisma . ( 2 ) May be treated as unessential notes . ( b ) SPLENDOR PATERNAE GLORIAE . Mode viii . ( 1 ) Mode i . ( c ) VENI CREATOR SPIRITUS . Mode viii . 48 STRICT COUNTERPOINT.
... ORTO SIDERE . ( 2 ) ( 1 ) The line indicates the melisma . ( 2 ) May be treated as unessential notes . ( b ) SPLENDOR PATERNAE GLORIAE . Mode viii . ( 1 ) Mode i . ( c ) VENI CREATOR SPIRITUS . Mode viii . 48 STRICT COUNTERPOINT.
Σελίδα 74
... treat another in the same way , and so on till the words are exhausted . It is , of course , better if some formulae can be developed from pre- ceding ones , or if a new formula can derive its raison d'être from the fact that it ...
... treat another in the same way , and so on till the words are exhausted . It is , of course , better if some formulae can be developed from pre- ceding ones , or if a new formula can derive its raison d'être from the fact that it ...
Άλλες εκδόσεις - Προβολή όλων
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Applied Strict Counterpoint C H (Charles Herbert) 1874-19 Kitson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2018 |
Συχνά εμφανιζόμενοι όροι και φράσεις
adding of plain Aeterna Christi Munera auxiliary discord bar of Scholastic BYRD Cambiata chè cêr che'l cor chords a bar Chri combined Counterpoint common chords concordant contrapuntal cor mi tóc Crê dance with glad diminished triad dol céz dór example FARRANT Florid Counterpoint fourth crotchet fourth species Gibbons glad ness hang'd our harps harmonic scheme imitation inversion Iste Confessor Kyrie Madrigal Magnificat Melisma mem brance minor third Missa Brevis modern Motets nên phôt nôn da sûa nôn puôt Novello Nunc Dimittis nuô PALESTRINA perfect fifth plain Counterpoint Plainsong Polyphonic Period prepared discord prepared seventh quavers quitted by step rhythm rum ac Scholastic Counterpoint scholastic minim scír second minim semibreve Canto Fermo sên six-four smi-su Soprano species principle stra na dol Strict Counter Strict Counterpoint stro strong accent student style sûa bel lez syncopated technique Tenor third crotchet treatise unessential notes НОН
Δημοφιλή αποσπάσματα
Σελίδα 100 - Tell me, where is fancy * bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies : Let us all ring fancy's knell ; I'll begin it, — Ding, dong, bell.
Σελίδα 13 - LET it be granted that a straight line may be drawn from any one point to any other point.
Σελίδα 9 - practical result of common everyday experience and observation of those natural laws which must always govern the principles of acceptable tone-combination. Such rules are peculiar to no particular age or period.
Σελίδα 97 - Г ^ strength with his arm; * he hath scat - tered the proud in the imagi ¿=^=»=F ta g ? • i С "10 • -л- РС*-*^.Р • v^ ^-i.
Σελίδα 97 - Ш _ the might-y from their seat: and hath ex- alt- ed the hum- ble and . meek.
Σελίδα 40 - IF we combine first, second, and fourth species, we produce a series of chords moving in minims : Ex.
Σελίδα 47 - J in that place men for ... their use ff»^= ' 1 1 • *** f}O\o&-\ 1 • 1 1 1 — 1 1 1 1 For in . . . that place men for ... their use p -. j (i) ^ ni -Q _, . hP r-tT-ffflf^^fq^^— jj krhad plan - ted ma ny one.
Σελίδα 8 - Ex. 3. his argument being that only common chords and their first inversions, and the first inversion of the diminished triad, can be used, and therefore the combination at (a) is outside the scheme.
Σελίδα 12 - We are only to use common chords and their first inversions and the first inversion of the diminished triad.