A Perception-oriented Theory of Metre

according alliteration appears articulation assigned becomes beginning boundary break caesura clause closure complex confirmed Consider constitute contrast convergent demands deviations displaced divergent effect emphatic English equal expect explanation fact fall feeling foot four fourth further greater grouping Halle hand iambic important indicate instance intonation Keyser language length less lexical stress linguistic listener major marked maxima means metre metric pattern Milton natural Notice observed occupied occur passage pause pentameter perceived perception performance phrase poem poetic poetry poets Pope possible preceding present ranks reader reading reason regular relative respect rhythm rhythmical rule scale seems segments sense sentence sequence shape Shelley similar Sonnets sound stanza stress maximum stress pattern stress valley stressed syllables strong position structure style suggested syntactic tend tension theory third tion trochaic units unstressed usually verse weak position whole