BoschPhaidon Press, 1 Σεπ 2003 - 352 σελίδες Hieronymus Bosch (c.1450-1516), one of the major artists of the Northern Renaissance, had a seemingly inexhaustible imagination. Known as the creator of disturbing demons and spectacular hellscapes, he also painted the Garden of Earthly Delights, where gleeful naked youths feast on giant strawberries. Little is known of Bosch's life and his art has remained enigmatic, variously interpreted as the hallucinations of a madman or the secret language of a heretical sect. The Surrealists claimed Bosch as a predecessor, seeing in his work the imagery of dream, fantasy and the subconscious. Laurinda Dixon argues, however, that to understand and appreciate the art of Bosch, we must return to the era in which he lived. Dixon presents Bosch as an artist of his times, knowledgeable about the latest techniques of painting, active in the religious life of his community and conversant with the scientific developments of his day. She draws on popular culture, religious texts and contemporary medicine, astrology, astronomy and alchemy - now discounted but then of interest to serious thinkers - in order to investigate the underlying meaning of Bosch's art. |
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... Brotherhood of Our Lady , ' s - Hertogenbosch banquets and celebrations . These important lay organiza- tions ... Brotherhood of Our Lady . Initially limited to male ecclesias- tics , the Brotherhood was established in ' s ...
... Brotherhood financed and presented during the year . Food and song were essential components of confraternal celebrations , and the upper echelon of sworn members was obliged to provide both . The hosts of confraternal banquets were ...
... Brotherhood to become an important money - lender and landlord in ' s - Hertogenbosch by the late fifteenth century . The confraternity further served the community by dispensing bread and clothing to the poor at regular intervals ...
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Introduction | |
An Apothecarys Apotheosis detail of 52 | |
The Crucible of God 135 x 100 | |
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