BoschPhaidon Press, 1 Σεπ 2003 - 352 σελίδες Hieronymus Bosch (c.1450-1516), one of the major artists of the Northern Renaissance, had a seemingly inexhaustible imagination. Known as the creator of disturbing demons and spectacular hellscapes, he also painted the Garden of Earthly Delights, where gleeful naked youths feast on giant strawberries. Little is known of Bosch's life and his art has remained enigmatic, variously interpreted as the hallucinations of a madman or the secret language of a heretical sect. The Surrealists claimed Bosch as a predecessor, seeing in his work the imagery of dream, fantasy and the subconscious. Laurinda Dixon argues, however, that to understand and appreciate the art of Bosch, we must return to the era in which he lived. Dixon presents Bosch as an artist of his times, knowledgeable about the latest techniques of painting, active in the religious life of his community and conversant with the scientific developments of his day. She draws on popular culture, religious texts and contemporary medicine, astrology, astronomy and alchemy - now discounted but then of interest to serious thinkers - in order to investigate the underlying meaning of Bosch's art. |
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... Europe has suffered more than its share of violence through the centuries , from religious iconoclastic vandalism and peasant conflicts in the sixteenth century to the mechan- ized destruction inflicted by two world wars . Entire ...
... Europe and the Inquisition had begun in Spain . An obvious reliance on esoteric non- Christian literature would have veered dangerously close to heresy , especially in the context of the conservative membership of Bosch's confraternity ...
... Europe . Engelbert II of Nassau ( 1451-1504 ) A courtier serving the ruling Habsburg dynasty and Count of Nassau , from which the House of Orange originated , Engelbert had broad intellectual training and elevated tastes . From 1473 ...
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Introduction | |
An Apothecarys Apotheosis detail of 52 | |
The Crucible of God 135 x 100 | |
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