BoschPhaidon Press, 1 Σεπ 2003 - 352 σελίδες Hieronymus Bosch (c.1450-1516), one of the major artists of the Northern Renaissance, had a seemingly inexhaustible imagination. Known as the creator of disturbing demons and spectacular hellscapes, he also painted the Garden of Earthly Delights, where gleeful naked youths feast on giant strawberries. Little is known of Bosch's life and his art has remained enigmatic, variously interpreted as the hallucinations of a madman or the secret language of a heretical sect. The Surrealists claimed Bosch as a predecessor, seeing in his work the imagery of dream, fantasy and the subconscious. Laurinda Dixon argues, however, that to understand and appreciate the art of Bosch, we must return to the era in which he lived. Dixon presents Bosch as an artist of his times, knowledgeable about the latest techniques of painting, active in the religious life of his community and conversant with the scientific developments of his day. She draws on popular culture, religious texts and contemporary medicine, astrology, astronomy and alchemy - now discounted but then of interest to serious thinkers - in order to investigate the underlying meaning of Bosch's art. |
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... Italian humanism and its emphasis on individuality , expressed frustration that in northern Europe an artist was still seen as a craftsman at a time when his Italian colleagues were enjoying an elevated status as intellectuals and ...
... Italy by Bosch in the late 1490s and notes elements of Italian dress among the people who surround the martyr's cross . However , the strong Italian presence in ' s - Hertogenbosch in the fifteenth century would have made such a journey ...
... Italian explorer born in Genoa , Columbus went to sea as a boy , travelled widely , and eventually settled in Lisbon ... Italy twice , in 1494-5 and 1505-7 , and the influence of Italian artists and art theory greatly enriched his work ...
Περιεχόμενα
Introduction | |
An Apothecarys Apotheosis detail of 52 | |
The Crucible of God 135 x 100 | |
Πνευματικά δικαιώματα | |
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