BoschPhaidon Press, 1 Σεπ 2003 - 352 σελίδες Hieronymus Bosch (c.1450-1516), one of the major artists of the Northern Renaissance, had a seemingly inexhaustible imagination. Known as the creator of disturbing demons and spectacular hellscapes, he also painted the Garden of Earthly Delights, where gleeful naked youths feast on giant strawberries. Little is known of Bosch's life and his art has remained enigmatic, variously interpreted as the hallucinations of a madman or the secret language of a heretical sect. The Surrealists claimed Bosch as a predecessor, seeing in his work the imagery of dream, fantasy and the subconscious. Laurinda Dixon argues, however, that to understand and appreciate the art of Bosch, we must return to the era in which he lived. Dixon presents Bosch as an artist of his times, knowledgeable about the latest techniques of painting, active in the religious life of his community and conversant with the scientific developments of his day. She draws on popular culture, religious texts and contemporary medicine, astrology, astronomy and alchemy - now discounted but then of interest to serious thinkers - in order to investigate the underlying meaning of Bosch's art. |
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... Early Christian & Byzantine Art Romanesque Art Gothic Art The Northern Renaissance The Early Renaissance The High Renaissance Baroque & Rococo Giotto Romanticism to Modernism Art in the 20th Century Fra Angelico Bellini Leonardo ...
... Early chemistry and Christianity were closely linked , and it was believed that the proper practice of science could be achieved only through great learning and piety . Serious mastery of the art required time , extensive education and ...
... early as 1460. As wood was sometimes aged for ten to fifteen years , and several more might have been spent on the actual painting , the triptych could date from the early to mid - 1470s . It is thus very probably an early work of Bosch ...
Περιεχόμενα
Introduction | |
An Apothecarys Apotheosis detail of 52 | |
The Crucible of God 135 x 100 | |
Πνευματικά δικαιώματα | |
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