BoschPhaidon Press, 1 Σεπ 2003 - 352 σελίδες Hieronymus Bosch (c.1450-1516), one of the major artists of the Northern Renaissance, had a seemingly inexhaustible imagination. Known as the creator of disturbing demons and spectacular hellscapes, he also painted the Garden of Earthly Delights, where gleeful naked youths feast on giant strawberries. Little is known of Bosch's life and his art has remained enigmatic, variously interpreted as the hallucinations of a madman or the secret language of a heretical sect. The Surrealists claimed Bosch as a predecessor, seeing in his work the imagery of dream, fantasy and the subconscious. Laurinda Dixon argues, however, that to understand and appreciate the art of Bosch, we must return to the era in which he lived. Dixon presents Bosch as an artist of his times, knowledgeable about the latest techniques of painting, active in the religious life of his community and conversant with the scientific developments of his day. She draws on popular culture, religious texts and contemporary medicine, astrology, astronomy and alchemy - now discounted but then of interest to serious thinkers - in order to investigate the underlying meaning of Bosch's art. |
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... morality tale about trickery , gullibility and impatience set within the intellectual and moral traditions of its time , but with a message that is really very modern : only a fool believes in a short cut to success . 25 Hieronymus ...
... moral criticism to the forefront even more urgently than before , and popular writers of the day echoed Bosch in their attitude towards moral irresponsibility . Redemption Through Emulation The Imitation of Christ Redemption Through ...
... moral integrity and the recognition of free will , from which follows each person's responsibility for their own actions . Though some of his beliefs were in sympathy with those of Martin Luther , he opposed the rancorous , intolerant ...
Περιεχόμενα
Introduction | |
An Apothecarys Apotheosis detail of 52 | |
The Crucible of God 135 x 100 | |
Πνευματικά δικαιώματα | |
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