BoschPhaidon Press, 1 Σεπ 2003 - 352 σελίδες Hieronymus Bosch (c.1450-1516), one of the major artists of the Northern Renaissance, had a seemingly inexhaustible imagination. Known as the creator of disturbing demons and spectacular hellscapes, he also painted the Garden of Earthly Delights, where gleeful naked youths feast on giant strawberries. Little is known of Bosch's life and his art has remained enigmatic, variously interpreted as the hallucinations of a madman or the secret language of a heretical sect. The Surrealists claimed Bosch as a predecessor, seeing in his work the imagery of dream, fantasy and the subconscious. Laurinda Dixon argues, however, that to understand and appreciate the art of Bosch, we must return to the era in which he lived. Dixon presents Bosch as an artist of his times, knowledgeable about the latest techniques of painting, active in the religious life of his community and conversant with the scientific developments of his day. She draws on popular culture, religious texts and contemporary medicine, astrology, astronomy and alchemy - now discounted but then of interest to serious thinkers - in order to investigate the underlying meaning of Bosch's art. |
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... texts ( 12 ) . This interest in the fanciful continues into the fifteenth century , for example in the prints of the so - called Master E S. His design for the letter ' G ' from the Fantastic Alphabet ( 13 ) shows a bare - bottomed monk ...
... texts or authors as influences upon his imagery , but to overriding concepts and universal metaphors shared by both religion and science , which are basic to all chemical texts and processes . Bosch was no mere copier of chemical motifs ...
... texts and traditions current in Bosch's time , but neither reinforces the Eucharistic parallel clearly established on the triptych's exterior . There is yet another reading that considers the presence of the figures in the hut in ...
Περιεχόμενα
Introduction | |
An Apothecarys Apotheosis detail of 52 | |
The Crucible of God 135 x 100 | |
Πνευματικά δικαιώματα | |
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