Parallels in the Concepts and Formal Motifs of Fuseli and Blake

ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich