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As the Charter was only given in 1552, and Holbein is now known to have died towards the end of 1543, he could not have painted it. Mr. Wornum suggests that Guillim Stretes, King Edward's painter, "was probably the painter of the Bridewell picture . . . but the picture originally was not as it is now."1 It has, in fact, been extensively repainted, and has suffered much in the process; it is, however, still interesting for the costumes. There are besides a fine full-length of Charles II., by Sir Peter Lely; full-length of Sir W. Turner, Lord Mayor in Charles II.'s reign, by Mrs. Beale; and full-lengths of George III. and his Queen, after Sir Joshua Reynolds. Atterbury, when a young man, was minister and preacher of Bridewell. In the cemetery attached to the Hospital Robert Levett, an old and faithful friend of Dr. Johnson's, and an inmate of his house, was buried in 1782. Thomas Coxeter (1689-1747), author, buried.

Bridewell Dock, an inlet of the Thames, between Whitefriars and Bridewell, closed in constructing Blackfriars Bridge.

A dock there is, that called is Avernus,

Of some Bridewell, and may in time concern us

All, that are readers.-Ben Jonson, On the Famous Voyage.

Just. Where will you meet i' the morning?

Sir Gos. At some tavern near the waterside that's private.

Just. The Greyhound, the Greyhound in Blackfriars, an excellent rendezvous.
Lin. Content, the Greyhound by eight.

Just. And then you may whip forth, and take boat at Bridewell Dock, most privately.
Westward Ho, Act ii. Sc. 3 (1607, 4to).

An old dull sot who tolled the clock
For many years at Bridewell Dock.

Hudibras, pt. iii. c. 3.


street formed on the site of Bridewell Prison. City Mission House.

Here is the London

Bridge Foot. [See Bear at the Bridge Foot.]

In the yeere one thousand five hundred and sixtie and foure, William Rider, being an apprentise with Master Thomas Burder, at the Bridgefoot, over against St. Magnus Church, chanced to see a paire of knit wosted stockings, in the lodging of an Italian merchant, that came from Mantua, borrowed those stockings and caused other stockings to be made by them, and these were the first wosted stockings made in England.-Stow, by Howes, ed. 1631, p. 869.

Bridge House, SOUTHWARK, a public granary on the Surrey side of London Bridge. Stores were kept here from 1350 for the repair and maintenance of London Bridge, and in it a lodging was provided for a "sheuteman." The place was successively a store for corn, a brewery and bakery, and at one time was used for coals also.

What a vast magazine of corn is there always in the Bridge House, against a dearth! What a number of persons look to the reparations thereof, are handsomely maintained thereby, and some of them persons of good quality !-Howell, Londinopolis, fol. 1657, p. 402.

1 Wornum's Holbein, p. 339.

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It is now entirely occupied by modern wharves. In 1861 the largest of London fires since 1666 destroyed several of them. here stairs for landing.

Strangways and four score rovers taken and landed at Bridgehouse, August 14, 1559.-Machin's Diary.

Bridge Street (New), BLACKFRIARS, built (1765) when Fleet Ditch was arched over, is largely made up of Insurance Offices. Here, on the west side, No. 14, is the entrance to Bridewell (which see); on the east side are the London, Chatham, and Dover Railway Station (opened 1864), and the Blackfriars Bridge Station of the Metropolitan District Railway. Horace Twiss, author of the Life of Eldon, died here in 1849.

Bridge Street, WESTMINSTER, built when (old) Westminster Bridge was built (1739-1750), on the site of the Long Woodstaple. The south side was removed in 1866-1867 in order to lay open Palace Yard and the front of Westminster Hall. George III. suggested the improvement more than half a century earlier.

Queen's Palace, June 8, 1804.-His Majesty fully authorises his most excellent Lord Eldon to give his consent to the House of Lords proceeding with the Bills, and in particular approves of the one for laying open Westminster Abbey to Palace Yard. . . . The King will with great pleasure, when it is proposed, agree to the purchasing and pulling down the west [south] side of Bridge Street and the houses fronting Westminster Hall; as it will be opening to the traveller that ancient pile which is the seat of administration of the best laws and the most uprightly administered. -Twiss, Life of Eldon, vol. i. p. 454.

Sir Charles Barry, the architect of the New Palace of Westminster, son of W. E. Barry, stationer, was born in one of the houses removed to open that building to public view.

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Bridge Ward Within, one of the twenty-six wards of London, so called of London Bridge, which bridge is a principal part of that ward."1 Boundaries.-North, Gracechurch Street, as far as Fenchurch Street and Lombard Street; south, the Thames; east, Monument Yard and the east wall of St. Magnus Church; west, Old Swan Stairs and Arthur Street West. Stow enumerates four churches in this ward :— St. Magnus, London Bridge; St. Margaret, on Fish Street Hill (destroyed in the Fire and not rebuilt: the monument stands where it stood); St. Leonard's, Eastcheap (destroyed in the Fire and not rebuilt); St. Benet Gracechurch, taken down in 1867. Fishmongers' Hall is in this ward. [See all these names.]

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Bridge Ward Without, another name for the borough of Southwark, one of the twenty-six wards of London, and so called from lying without, or beyond, the bounds of the City proper. Southwark was long an independent borough, a sanctuary for malefactors of every description, and was first annexed judicially to the City in the reign of Edward III. In 1550, in consideration of the payment of a sum of money into the Augmentation Office, Edward VI. resigned his right as lord of the

1 Stow, p. 79.

manor, only reserving to himself two messuages, one called Suffolk Place, the other The Antelope. In the same year Sir John Aylophe, Knt., was appointed the first Alderman of Bridge Ward Without by the Mayor and Aldermen.

The Charter of Edward VI. granted the Borough of Southwark to the City, and shortly after an Act of Common Council was passed; by this it was made a ward of the City and named Bridge Ward Without. The Mayor and Aldermen appointed the first Alderman for the new ward, the ward also directing that the inhabitants of the ward should for the future elect the Alderman as was done in other wards. This was never carried into effect.-Municipal Corporations, Second Report, 1837, p. 22.

Bridge Ward Without is nominally governed by an Alderman, whose office is a sinecure, and therefore given always to the senior Alderman, who, on the death of his predecessor, vacates his former ward, and takes that of Bridge Ward Without as a matter of course.-Elmes.

Not as a matter of course. It is offered to the senior Alderman, and if declined by him to the next senior, and so on until one accepts it. It was thus in 1871, when taken by the late Sir R. W. Carden, who was seventh on the list.

Bridgewater House, ST. JAMES'S, fronts the Green Park, and was built, 1847-1850, from the designs of [Sir] Charles Barry, R.A., for Francis, Earl of Ellesmere, great nephew and principal heir of Francis Egerton, Duke of Bridgewater. The duke, dying in 1803, left his pictures, valued at £150,000, to his nephew, the first Duke of Sutherland (then Marquis of Stafford), with remainder to the marquis's second son, Lord Francis Egerton, afterwards Earl of Ellesmere. Whilst the collection was in the possession of the Duke of Sutherland it was known as the Stafford Gallery, and was described under that title in the well-known work of Mr. W. Y. Ottley, 4 vols., with engravings of all the pictures.

We have conjectured that the Duke's early association with [Robert] Wood might possibly have generated the taste for old pictures, which ultimately displayed itself in the formation of the Bridgewater Collection. Dining one day with his nephew, Lord Gower, afterwards Duke of Sutherland, the Duke saw and admired a picture which the latter had picked up a bargain for some £10 at a broker's in the morning. "You must take me," he said, "to that d-d fellow to-morrow."-Lord Ellesmere in Quarterly Review, March 1844.

The collection contains 47 of the finest of the Orleans pictures (marked O. C. in the subjoined list); and consists of 127 Italian, Spanish, and French pictures; 158 Flemish, Dutch, and German pictures; and 33 English and German pictures—some 317 in all. This is independent of 150 original drawings by the three Caracci, and 80 by Giulio Romano, bought in 1836 by the Earl of Ellesmere from the Lawrence Collection.


4. RAPHAEL.-La Vierge au Palmier. In a circle, 3 feet 9 inches in diameter -one of two Madonnas, painted at Florence in 1506 for his friend Taddeo Taddei, O. C. La plus Belle des Vierges, O. C. La Madonna del Passeggio, O. C. (considered by Passavant to be by Francisco Penni). La Vierge au Diadème (from Sir Joshua Reynolds's collection).

1. S. DEL PIOMBO.-The Entombment.

1. LUINI.-Female Head, O. C.

I. GIULIO ROMANO.--Juno with the Infant Hercules, O. C.
4. TITIAN.-Diana and Actæon, O. C. (very fine).
(very fine). The Four Ages of Life, O. C.
O. C.

2. PAUL VERONESE.—The Judgment of Solomon.
of Adonis, O. C.

Diana and Calisto, O. C. Venus rising from the Sea,

Venus bewailing the Death

3. TINTORETTO.-Portrait of a Venetian Gentleman, O. C. The Presentation in the Temple (small sketch). The Entombment, O. C.

1. CARAVAGGIO.—Pharaoh and the Egyptians drowned in the Red Sea, a very characteristic work.

1. RIBERA (LO SPAGNOLETTO).-Christ teaching in the Temple, O. C.

3. VELAZQUEZ.-Head of Himself. Philip IV. of Spain (small full-length). Full-length Portrait of the natural son of the Duke d'Olivarez (life size).

2. SALVATOR ROSA.-Les Augures (very fine).

4. GASPAR POUSSIN.-Landscapes.

8. N. POUSSIN. -Seven called the Seven Sacraments, O. C.

These were

bought by the Regent, Philip, Duke of Orleans, for 120,000 livres ; the Duke of Bridgewater gave £700 each for them at the Orleans sale. Moses striking the Rock (very fine), O. C.

Vision of St. Francis, O. C. Danäe,

7. AN. CARACCI.—St. Gregory at Prayer.
O. C. St. John the Baptist, O. C.
Cross, O. C. Diana and Calisto, O. C.

Same subject, O. C. Christ on the

6. L. CARACCI.-Descent from the Cross, O. C. Dream of St. Catherine. St. Francis. A. Pietà. 2 Copies after Correggio.

5. DOMENICHINO.-Christ bearing the Cross, O. C. Calisto, O. C. Ecstasy of St. Francis, O. C. Female Saint. Landscape, O. C.

2. GUIDO.-Infant Christ Virgin (altar-piece).

sleeping on the Cross, O. C. Assumption of the

2. GUERCINO.-David and Abigail, O. C.
2. PANNINI.-Interior of St. Peter's, Rome.


Saints adoring the Trinity (study).
Interior of a Picture Gallery.

6. RUYSDAEL.-Landscapes, woods, and waterfalls.

4. CLAUDE.-Morning (a little picture). Morning, with the story of Apuleius. Evening, Moses before the Burning Bush. Morning (composition picture). Portrait of a Burgo

5. REMBRANDT.-Samuel and Eli. Portrait of Himself. master. Portrait of a Lady. Head of a Man.

3. RUBENS.-St. Theresa (sketch of the large picture in the Museum at

Antwerp). Mercury bearing Hebe to Olympus.
hand (half-length).

I. VAN DYCK.-The Virgin and Child.

Lady with a fan in her

2. BACKHUYSEN.-View near Amsterdam. View of the Texel.

6. CUYP.-Five Landscapes.

Landing of Prince Maurice at Dort (very fine).

Entrance to the Brill.


7. VANDERVELDE.-Rising of the Gale (very fine).
Calm. Two Naval Battles. A Fresh Breeze. View of the Texel.
Village Fair (76 figures). Village Wedding.
The Traveller. Ninepins. Alchymist in

8. TENIERS.-Dutch Kermis or

Winter Scene in Flanders.
his Study. Two Interiors.

2. JAN STEEN.-The Schoolmaster (very fine). The Fishmonger.

6. A. OSTADE.-Interior of a Cottage. Lawyer in his Study. Village Alehouse. Dutch Peasant drinking a Health. Tric-Trac.

Dutch Courtship.

3. G. Dow.-Interior, with his own Portrait (very fine). A Woman selling Herrings.

I. TERBURG.-Young Girl in white satin drapery.

1. N. MAES.-A Girl at work (very fine).


Portrait of Himself.

3. METZU.-The Halt.

Lady with Spaniel.

Woman selling Herrings.

4. PHILIP WOUVERMANS.-Three Landscapes, with figures; the fourth, a very fine picture. Cavalry attacking Infantry.


1. PAUL POTTER.—Oxen in a Meadow (small).

1. (Unknown.) The Chandos portrait of Shakespeare, bought at the sale at Stowe, in 1848, for 355 guineas. It belonged to Sir W. Davenant the poet, Betterton the actor, and Mrs. Barry the actress.

I. DOBSON.-Head of Cleveland the Poet.

1. REYNOLDS.-Lord and Lady Clive with Child and Hindoo Nurse, colour very fine.

1. GAINSBOROUGH.-Landscape, Cows in a Meadow.

2. RICHARD WILSON, R. A.—Replica of the Niobe in the National Gallery, and a small landscape.

1. G. S. NEWTON, R.A.—Young Lady hiding her face in grief.

1. J. M. W. TURNER, R.A.-Gale at Sea (nearly as fine as the fine Vandervelde in this collection, Rising of the Gale), as a companion to (or in competition with) which it was painted.

1. F. STONE.-Scene from Philip Van Artevelde.

1. PAUL DELAROCHE.-Charles I. in the Guard-room, insulted by the soldiers. of the Parliament.

Of the sculpture the most noteworthy is Foley's charming group of Ino with the Infant Bacchus.

The house stands on the site of what was once Berkshire House, then Cleveland House, and afterwards Bridgewater House. In the supplemental volume to Roscoe's edition of Pope's Works (p. 114) there is a letter addressed "To Mr. Pope, to be left with Mr. Jervasse, at Bridgewater House, in- Cleveland Court, St. James's." Cleveland House was bought by the first Duke of Bridgewater in 1730, after which it was called sometimes Bridgewater and sometimes Cleveland House. [See Berkshire House and Cleveland House.]

Bridgewater Square, Barbican (north side).

A new, pleasant, though very small square on the east side of Aldersgate Street.— Hatton, 1708, p. 11.

Bridgewater Square, a very handsome open place, with very good buildings, well inhabited. The middle is neatly enclosed with palisado pales and set round with trees, which renders the place very delightful; and where the square is, stood the house of the Earl of Bridgewater.-Strype, B. iii. p. 93.

The Earl of Bridgewater's house fronted Barbican; the grounds extended northwards, and are marked by BRIDGEWATER GARDENS (now Fann Street), north of Bridgewater Square. Both Square and Gardens have been partially cleared away in the course of recent improvements. Brill (The), SOMERS TOWN. Stukeley,1 the antiquary, imagined that he had discovered, in a place called The Brill, extending northward from the New Road (now the Euston Road) to (old) St. Pancras Church, the distinct traces of a Roman camp, 500 paces long and 400 wide, "the prætorium, still very plain," being "over against the church,' and the Fleet river flowing through its midst. The camp, the ardent antiquary had no difficulty in persuading himself, was that in which Julius Cæsar lodged his army of 40,000 men, and "made the two British kings friends-Casvelhan and his nephew Mandubrace." And 1 Itinerarium, vol. ii. p. 1.

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